The 2020 Petrona Award shortlist is out!

Just in time for the season of snowflakes and reading under cosy blankets, here’s the 2020 Petrona Award shortlist!

Petrona

Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year.

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist.

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface.

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension.

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place.

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja.

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)

Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.

THE WINNER will be announced on Thursday 3 December 2020!

The judges’ comments on the shortlist:

There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints. There were 13 female and 24 male authors.

This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller.

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective.

We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award.

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.

The judges

Jackie Farrant – Crime fiction expert and creator of RAVEN CRIME READS; bookseller for eighteen years and a Regional Commercial Manager for a major book chain in the UK.

Kat Hall – Translator and editor; Honorary Research Associate at Swansea University; international crime fiction reviewer at MRS. PEABODY INVESTIGATES.

Jake Kerridge – Journalist and literary critic. He has been the crime fiction reviewer of the Daily Telegraph since 2005 and has judged many crime and thriller prizes.

Award administrator

Karen Meek – owner of the EURO CRIME website, reviewer, former CWA judge for the International Dagger, and Library Assistant.

Quentin Bates’ Cold Malice — Gunna rides again!

I’m delighted to welcome crime author Quentin Bates to the blog. His latest novel, Cold Malice, has just been published — and features one of my all-time favourite investigators, Icelandic police officer Gunnhildur ‘Gunna’ Gísladóttir.

Below, there’s a little about the novel, together with an exclusive extract… I’ve also included part of an interview I did with Quentin a while back, in which he answers questions about writing the character of Gunna and the kind of Iceland he tries to depict.

Cold Malice: Reykjavík detective Gunnhildur Gísladóttir tries not to believe in ghosts. But when Helgi, one of her team, is certain he’s seen a man who was declared dead fifteen years ago, she reluctantly gives him some unofficial leeway to look into it.

Has the not-so-dead man returned from the grave to settle old scores, or has he just decided to take a last look around his old haunts? Even the rumour of his being alive and kicking is enough to spark a storm of fury and revenge, with Gunnhildur and Helgi caught up in the middle of it.

Extract 

>> The sea and the dawn sky melded into an enfolding grey blanket as the boat shoved its way through the chop of the waves. The skipper sat in the wheelhouse chair and gnawed his fingernails, eyes on the screens in front of him. It wasn’t likely, but considering the nature of the bundle nestling under the gunwale where it couldn’t be easily seen, a chance visit right now from the Coast Guard or those busybodies from the fisheries patrol would at best be hard to explain and at worst disastrous. He had no business being here, far outside his usual fishing grounds, and that in itself was suspicious. In fact, he was away from anyone’s fishing grounds, in a patch of the Baltic where the mustard gas and explosives dumped after a couple of wars had ensured that any kind of fishing was out of the question.

He brooded that if he hadn’t had debts, he’d have told them to go and fuck themselves sideways.

Eventually he eased back the throttle and the engine’s rumble died away to a throaty mutter beneath his feet, the boat rocking in the unpredictable Baltic swell. He unzipped the bag, tried not to look at the emaciated face that gazed back at him, its eyes half closed, and hurriedly dropped a couple of yards of chain inside, adding some worn shackles for good measure. He zipped the bag shut and punched holes in it, surprised at how its tough fabric resisted his knife. It was also a surprise how little the bag and its contents weighed as he rolled it over the gunwale and watched it disappear from sight to join the rusting shells and canisters of poison far below.

He shuddered to himself, put the boat back into gear, and felt a surge of relief as he pushed the throttle lever forward as far as it would go. That was a debt paid, one of many, but he wondered how long it would be before another favour he could hardly refuse would be requested. <<

Author Quentin Bates

Mrs P: Quentin, you’re in the unusual position as a British author of having lived in Iceland for many years. How has that experience – together with your ongoing links to the country – shaped your crime writing?

Quentin: I shied away from the idea of using Iceland as a backdrop when I started toying with the idea of fiction. There were a few false starts, until it dawned on me that it would be plain daft not to use all that knowledge, insight and experience, so that’s when Frozen Out [the first in the ‘Gunna’ series] started to take shape. Being familiar with the language gives you a huge advantage in being able to understand the intricacies of Iceland’s internecine politics and much of the subtext to what goes on that an outsider simply wouldn’t be aware of, as well as being able to laugh at all the otherwise incomprehensible jokes.

Mrs P: Which particular aspects of Icelandic society have you been keen to share via your crime writing?

Quentin: Let’s say I prefer to avoid the clichés, the stuff the tourists see. Very little of my work seems to be set in Reykjavík 101, the central district where all the hotels, bars and whatnot are, which is hipster central these days, lots of manbuns and frothy coffee. I’m happier with the outlying parts of the city and the surrounding towns that are so different to what many visitors see. What I really like to try and work in there is the quiet, subtle humour of the older generation of Icelanders that has its roots in a time when Iceland was a very different place. It’s a humour so bone-dry that it’s easy to miss it, and it can fly right over your head if you’re not watching out for it.

Mrs P: Icelandic police series by authors such as Arnaldur Indriðason and Ragnar Jónasson feature male detectives. What made you decide to create a female police officer?

Quentin: I didn’t set out to create a female investigator. She just appeared. Originally Gunnhildur was the sidekick to a fairly dull male main character who just didn’t click. He was so forgettable that I can’t even remember what name I gave that ill-thought out character back in that very first draft of Frozen Out. He was quite quickly jettisoned once it had occurred to me that the sidekick was the more interesting character, and she did demand attention. To my surprise, I didn’t find it especially difficult to write a female character. People seem to like her and say she’s realistic, but I think I’m too close to her to be able to judge.

Mrs P: Tell us a little about the way you depict Officer Gunnhildur in the series.

Quentin: Gunnhildur is a character who is definitely not from Reykjavík, and she was deliberately given roots in a coastal region in the west so she can have something of an outsider’s point of view. That’s why she and Helgi connect so well, as he’s also from a rural background in the north and they share a similar background as immigrants to Reykjavík, while Eiríkur is a city boy with little in common with his two middle-aged (or ancient, as he would see them) colleagues.

With thanks to Quentin Bates! There’s also a great review of Cold Malice over at Raven Crime Reads

This wonderful drawing by @redscharlach is of Hinrika in Trapped, but she really reminds Mrs P of Gunna as well.

Shafak’s 10 Minutes 38 Seconds in This Strange World (Turkey) and Jackson’s We Have Always Lived in the Castle (USA)

Hello everyone – how *are* you? I very much hope that you’re weathering the current turbulence OK, and that reading is bringing you some solace and distraction.

Here are a couple of novels that have hit the mark for me recently – impressive examples of literary and American Gothic crime respectively.

Elif Shafak, 10 Minutes 38 Seconds in This Strange World (Viking 2019)

Opening line: Her name was Leila.

I’ve had 10 Minutes on my reading pile ever since I saw it shortlisted for the 2019 Booker Prize. I was drawn by its intriguing title and Istanbul setting, but was also somewhat nervous about whether the author could pull off ‘the concept’ – chronicling the final 10 minutes and 38 seconds of a woman’s ebbing consciousness *after* she has been murdered. It sounded both like a compelling narrative device and one that could easily go wrong.

It didn’t take me long to realise that Shafak was up to the task. Leila’s memories of her favourite tastes and smells, like cardamom coffee and spiced goat stew, trigger rich memories from her life, but never tip into mawkishness. We’re shown with sensitivity and compassion why Leila’s life took the course it did, and how she navigated its challenges with spirit and resilience. We also get to know her highly original friends, as well as the city they’ve chosen to make their home: the complex fusion of East and West that is Istanbul. The novel is above all a celebration of friendship and solidarity in an often intolerant, unequal world. It’s stayed with me a long time.

If you’d like to find out more about Elif Shafak, she’s given a TED talk on the politics of fiction in which she also speaks about her own background and writing.

Shirley Jackson, We Have Always Lived in the Castle, Penguin 2009 [1962]

Opening line: My name is Mary Katherine Blackwood.

I found my way to this cult American Gothic novel in a very roundabout way. I’m a fan of the actress Elisabeth Moss, saw a clip of her playing the author Shirley Jackson in the film Shirley (based on the novel by Susan Scarf Merrell), and decided I had to read something by her – because by all accounts she was an incredibly interesting woman and has had a huge influence on writers from Stephen King to Neil Gaiman. My eyes lit up when I found Castle, because it has a *strong* element of crime.

Our young narrator – Mary Katherine or Merricat – lives a largely isolated life in the Blackwood home with her sister Constance and Uncle Julian for company. Early on, she nonchalantly tells us that ‘everyone else in my family is dead’. The rest of the novel teases out the unfortunate story of the deceased Blackwoods, and relates a series of events in the present that will have a decisive impact on the family’s future. 

I was hooked within a couple of pages by Merricat’s highly original voice and the creepy Gothic atmosphere that pervades the novel. While you could happily classify Castle as Gothic crime, it’s also the kind of novel that ranges well beyond one genre, and has some interesting things to say about suffocating patriarchy, sisterly sacrifice and social exclusion. Castle is a genuinely unsettling delight and I’m pretty certain I’ll be rereading it a number of times.

Here’s an image of Moss playing (the fictionalized version of) Shirley Jackson

Shirley

Current reading: I’m making my way through the final Petrona 2020 submissions – Scandinavian crime in English translation – in preparation for our judges’ meeting. This has had to be pushed back due to the pandemic, but we’re looking forward to announcing our shortlist soon! There’ll be further updates on the award website: http://www.petronaaward.co.uk/

I’m also halfway through Margot Kinberg’s latest novel A Matter of Motive, the first in the ‘Patricia Stanley’ series, which is proving to be a lovely distraction from the outside world. I’m particularly enjoying the depiction of Patricia’s learning curve as a young policewoman on her first case, and the intricacies of a rather puzzling murder. I have my theories, but suspect there’ll be a few plot twists yet… You can find out more at Margot’s blog, which also features short stories and posts on crime fiction (Margot has an encyclopedic knowledge of crime as some of you may already know). Highly recommended!

Crime Fiction: Respite Reading for the Pandemic

I hope you’re all safe and well in this strange and worrying time. For many of us (including me), reading has taken a back seat while we process the situation, and deal with its fallout for our families, working lives and communities.

Aside from the practical challenges we’re facing, many of us are feeling too stressed to read, or can’t find the ‘right book’ to settle down with.

If this is you, then here are some suggestions and strategies for Respite Reading.

Even if you manage just a chapter a day, you’ll hopefully feel the benefit. Reading has an amazing ability to ground us, distract us and provide solace – in short, to provide us with respite in these very tough times. A study by the University of Sussex found that a mere 6 minutes of reading can reduce stress levels by 68%! Sounds good to me.

7 types of Respite Reading: find the one that works for you!

1.   An old favourite. There’s no rule that says you have to read something new. Perhaps a novel you know and love is already on your bookshelf, waiting to wrap itself around you like a comforting blanket. For me, that’s John le Carré’s Tinker Tailor Soldier Spy. Or Paul Scott’s The Jewel in the Crown, a novel I first read in 1988, which explores the fallout of a crime in The British Raj. Or your favourite Agatha Christie – hard to choose, I know… For me it’s a toss up between The Murder of Roger Ackroyd and Murder on the Orient Express.

2.   Travel to another time or place. If the present is too much for you right now, then take a break in another era with some historical crime and/or crime set in another country – like Abir Mukherjee’s A Rising Man (1919 India), Riku Onda’s The Aosawa Murders (1970s Japan), Umberto Eco’s The Name of the Rose (1327 Italy) or Eduardo Sacheri’s The Secret in Their Eyes (1970s and 1980s Argentina).

3.    Cosy, comforting crime. If you’re finding the gritty end of the crime fiction spectrum a bit much right now, then perhaps you’re in need of a cute baby elephant: yes, we’re talking Vaseem Khan’s The Unexpected Inheritance of Inspector ChopraOr try out Peter Bartram’s comic ‘Crampton of the Chronicle’ series, which follows the adventures of a young journalist in 1960s Brighton. Or how about Ellis Peter’s classic ‘Brother Cadfael’ series, set in medieval times? Another personal favourite: Harry Kemelman’s ‘Rabbi Small’ series, which offers an affectionate portrait of 1960s small-town America, along with some pearls of wisdom.

4.   Crime with heart, whose characters you’ll love to spend time with – try Elly Griffiths’s ‘Ruth Galloway’ series (forensics in Norfolk) or Lesley Thomson’s ‘Detective’s Daughter’ series – both are marvellous. And if you’ve not yet met octogenarian Sheldon Horowitz, then it’s definitely time for Derek B. Miller’s Norwegian by Night. It’s still one of my top favourites.

5.   Criminally black humour. If your way of getting through involves grim laughter, then Mick Herron’s ‘Slough House’ spy novels are a wonderful read – start with Slow Horses. Or get to know Jo Ide’s IQ, the Long Beach Sherlock – a thoroughly engaging and original detective. And Leif GW Persson’s novels are always up there for me – Linda, as in the Linda Murder is a good opener, with moments that are wonderfully wry.

6.   Hair ‘o’ the dog apocalypse crime. Because one way to deal with our fears is to read about stuff that’s just that little bit worse. Louise Welsh’s A Lovely Way to Burn is excellent, and check out my earlier blog post on ‘Apocalyptic Crime Fiction from America and Finland’ for a few other suggestions. My top non-crime recommendation is Emily St. John Mandel’s Station Eleven. Bleak, but strangely uplifting and hopeful.

7.   Still not sure… Just give me top-quality crime! No worries – have a browse through my Xmas recommendations over the years. These are effectively my annual best-of-the-best lists, so hopefully you’ll find something there that’ll hit the spot…

2014   2015   2016   2017   2018   2019

There’s also a list of trilogies here should you fancy a more ambitious reading project.

And if you’re looking for further ideas or inspiration, then I can heartily recommend the following indie publishers. They could all do with some love and support right now!

Bitter Lemon Press   No Exit Press   Orenda Books   Europa Editions

OK everyone – stay home – stay safe – save lives!

Please do add your own thoughts and recommendations below, or just drop by for a chat. It would be lovely to hear from you! Hugs and kisses xxx

46 European crime novels #LeaveALightOn

Back in June 2016 I posted a list of 35 European crime novels I loved. Here’s a slightly updated version with 46 European crime novels.

I’ve included some British crime novels, because at the time of posting – and until 11.00pm on 31 January 2020 – the UK is still officially part of the EU.

It may take a while, but I firmly believe we will rejoin one day.

#LeaveALightOn

Euro 4

Jakob Arjouni, Happy Birthday, Turk! (trans. from German by Anselm Hollo, Melville House 2011 [1987])

Belinda Bauer, Rubbernecker (Wales, UK; Black Swan 2014)

Pieke Biermann, Violetta (trans. from German by Ines Rieder and Jill Hannum, Serpent’s Tail 1996 [1991])

Ioanna Bourazopoulou, What Lot’s Wife Saw (trans. from Greek by Yiannis Panas, Black & White Publishing 2013 [2007])

Jan Costin Wagner, Silence (Germany/Finland; trans. from German by Anthea Bell, Harvill Secker 2010 [2007])

Didier Daeninckx, Murder in Memoriam (trans. from French by Liz Heron, Serpent’s Tail 1991 [1984]; republished by Melville House in 2012)

Euro 2

Friedrich Dürrenmatt, The Pledge (Swiss; trans. from German by Joel Agee, University of Chicago Press 2006 [1958])

Umberto Eco, The Name of the Rose (trans. from Italian by William Weaver, Vintage 2004 [1980])

Hans Fallada, Alone in Berlin (trans. from German by Michael Hofmann, Penguin 2009 [1947])

Eugenio Fuentes, At Close Quarters (trans. from Spanish by Martin Schifino, Arcadia 2009 [2007])

Friedrich Glauser, In Matto’s Realm (Swiss; trans. from German by Mike Mitchell, Bitter Lemon Press 2006 [1936])

Euro 6

Petra Hammesfahr, The Sinner (trans. from German by John Brownjohn, Bitter Lemon Press 2007 [1999])

Kati Hiekkapelto, The Defenceless (trans. from Finnish by David Hackston, Orenda Books 2015 [2014])

Paulus Hochgatterer, The Sweetness of Life (Austria; trans. from German by Jamie Bulloch, MacLehose 2012 [2006])

Peter Høeg, Miss Smilla’s Feeling for Snow (trans. from Danish by Felicity David, Vintage 2014 [1992])

Francis Iles, Before the Fact (UK; Arcturus 2011 [1932])

Jean-Claude Izzo, Total Chaos (trans. from French by Howard Curtis, Europa Editions 2005 [1995])

Euro 1

Jess Kidd, Himself (Ireland; Canongate 2017)

Hans Hellmut Kirst, The Night of the Generals (trans. from German by J. Maxwell Brownjohn, Cassell 2002 [1962])

Elisabeth Herrmann, The Cleaner (trans. from German by Bradley Schmidt, Manilla 2017)

Stieg Larsson, The Girl with the Dragon Tattoo (trans. from Swedish by Reg Keeland, MacLehose Press 2008 [2005])

John le Carré, Tinker Tailor Soldier Spy (UK; Sceptre 2011 [1974])

Carlo Lucarelli, Carte Blanche (trans. from Italian by Michael Reynolds, Europa Editions 2006 [1990])

Henning Mankell, The Dogs of Riga (trans. from Swedish by Laurie Taylor, Vintage 2012 [1992])

Dominique Manotti, Affairs of State (trans. from French by Ros Schwarz and Amanda Hopkinson, Arcadia Books 2009 [2001])

Euro 5

Manuel Vázquez Montalbán, Buenos Aires Quintet (trans. from Spanish by Nick Calstor, Serpent’s Tail 2005)

Denise Mina, Garnethill (Scotland, UK; Orion 2014)

Harry Mulisch, The Assault (trans. from Dutch by Clare Nicolas White, Random House 1985 [1982])

Håkan Nesser, Bjorkman’s Point (trans. from Swedish by Laurie Thompson, Pan 2007 [1994])

Ingrid Noll, The Pharmacist (trans. from German by Ian Mitchell, HarperCollins 1999 [1994])

David Peace, 1974 (UK; Serpent’s Tail 1999 – the first in the ‘Red Riding’ quartet)

Lief G.W. Persson, Linda, as in the Linda Murder (trans. from Swedish by Neil Smith, Vintage 2013)

Malin Persson Giolito, Quicksand (trans. from Swedish by Rachel Willson-Broyles, Simon & Schuster 2017)

Dolores Redondo, The Invisible Guardian (trans. from Spanish by Isabelle Kaufeler, HarperCollins 2015 [2013])

Adam Roberts, The Real-Town Murders (UK; Gollancz 2017)

Georges Simenon, Pietr the Latvian (Belgium, trans from French by David Bellos, Penguin 2013 [1930])

Maj Sjöwall and Per Wahlöö, The Laughing Policeman (trans. from Swedish by Alan Blair, Harper Perennial 2007 [1968])

Euro 3

Josef Skvorecky, The Mournful Demeanour of Lieutenant Boruvka (trans. from Czech by Rosemary Kavan, Kaca Polackova, and George Theiner, Norton 1991 [1966])

Teresa Solana, The First Prehistoric Serial Killer and Other Stories (trans. from the Catalan by Peter Bush (Bitter Lemon Press 2018)

Lesley Thomson, The Detective’s Daughter (UK; Head of Zeus 2013)

Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead (tr. from Polish by Antonia Lloyd-Jones, Fitzcarraldo Editions 2018)

Olivier Truc, Forty Days without Shadow (set in Lapland; trans. from French by Louise Rogers LaLaurie, Trapdoor 2014)

Antti Tuomainen, The Man Who Died (trans. from Finnish by David Hackston, Orenda Books 2017)

Simon Urban, Plan D (trans. from German by Katy Derbyshire, Harvill Secker 2013 [2011])

Fred Vargas, Have Mercy on us All (trans. from French by David Bellos, Vintage 2004 [2001])

Louise Welsh, A Lovely Way to Burn (UK; John Murray 2014)

#LeaveALightOn 

Let it snow! Mrs. Peabody’s 2019 Christmas crime fiction recommendations

Here are Mrs. Peabody’s 2019 Christmas crime fiction recommendations! Each is one of my top reads of the year, and will fit snugly into the Xmas stockings of all who’ve been good. Don’t forget to treat yourself, too!

Available from a wonderful local bookshop near you…

Jane Harper, The Lost Man, Abacus (Australia)

This novel was one of my most satisfying reads of the year. An in-depth character study of a family and their community, it’s also a page-turner that will keep you completely riveted for hours.

Cameron Bright is found dead in a remote part of his cattle station by the so-called ‘Stockman’s Grave’. The mystery of how and why he got there, and why his car is so far away become the subject of a police investigation. Cameron’s older brother Nathan, who owns the adjacent property, and his younger brother Bub both had complicated relationships with him, and further complexities and secrets soon start to be revealed. This is the third of Harper’s novels, and has a neat link back to her first, The Dry but no prior reading or knowledge is required. If you’re feeling generous, leave both for your lucky reader under the tree.

Seishi Yokomizo, The Honjin Murders, tr. Louise Heal Kawai, Pushkin Press 2019 (Japan)

I’ve just read The Honjin Murders, and immediately knew I had to add it to this list, because it’s the perfect gift for any fan of classic crime fiction or locked room mysteries. As an added bonus, it’s set in Japan! Plus: it’s the first in master crime writer Seishi Yokomizo’s acclaimed ‘Konsuke Kindaichi’ series, and the first to be translated (beautifully) into English.

It’s 1937, and the grand Ichiyanagi family is celebrating a family wedding. But that night, the family is woken by a terrible scream, followed by the sound of eerie music. Death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house. It’s an impossible puzzle, but eccentric amateur detective Kosuke Kindaichi is determined to figure it out.

George Pelecanos, The Man Who Came Uptown, Orion (USA)

This quietly powerful crime novel interweaves the stories of three individuals. Anna Byrne is a prison librarian, who tries to better the lives of inmates through reading, and to broaden their horizons through regular book-group discussions. One of her readers is Michael Hudson, a bright young man who has gone off the rails, but is keen to go straight. When he’s suddenly released ahead of his trial, he’s relieved but can’t quite understand why. The answer lies with Phil Ornazian, a private investigator who regularly flirts with danger when making money illicitly on the side. Pelecanos was a scriptwriter for The Wire, and his characterisation of each of these figures is superb. The novel is also a wonderful homage to the life-changing power of reading.

Oyinkan Braithwaite, My Sister, the Serial Killer, Doubleday 2018 (Nigeria)

I gobbled up this wholly original Nigerian crime novel in one sitting. Korede is a plain, respectable nurse, who leads a neat and ordered life. Or rather, she would do if it weren’t for her volatile, beautiful younger sister, whose boyfriends seem to have a habit of winding up dead, and who expects big sis to sort everything out. I won’t give anything else away, but suffice to say that this is an arresting read, which deploys the darkest of humour to tell its story. The question at the heart of the novel is: how far would you go to protect a family member whose actions you know are criminal? It’s all very nicely done and a lot of fun.

John le Carré, Agent Running in the Field, Viking 2019 (UK)

It’s such a pleasure to step back into le Carré’s world and to meet a fresh cast of beautifully observed, but very human spies. Shown weaving their way through the complexities of modern politics as best they can, they soon learn that they need to keep a sharp eye on their own superiors as much as their adversaries elsewhere. Our guide to all this is Nat, an agent runner at the end of his career who’s asked to take over The Haven, a lowly substation of London General. He and a colleague begin to plan an operation targeting a Ukrainian oligarch, but then something strange happens… Light relief takes the form of regular badminton games with young Ed, an affable but somewhat mysterious figure who may be more than he seems. A completely convincing and gripping depiction of murky espionage shenanigans.

M.T. Edvardsson, A Nearly Normal Family, tr. Rachel Willson-Broyles, Macmillan 2019 (Sweden)

This accomplished novel tracks the fallout from a murder via the perspectives of three members of one family: a mother, a father, and a daughter who’s been accused of killing a well-connected, rich young man. An ostensibly ‘normal’ and respectable middle-class family – dad is a pastor, mum is a lawyer, and daughter Stella is unruly but bright – they are pushed to the limits by the stress of Stella’s arrest, detention and trial. The three points of view and family dynamics are beautifully handled, and there are plenty of surprises in store for the reader, even after the end of the trial. The novel is one of the submissions for the 2020 Petrona Award.

Rachel Kushner, The Mars Room, Vintage 2018 (USA)

This isn’t a conventional crime novel, but rather a novel about a crime and what comes next. Romy Hall is serving two consecutive life sentences at Stanville Women’s Correctional Facility after killing the man who was stalking her. Through her eyes, we’re shown the reality and bleakness of American prison life, and through her recollections, we trace her early years in San Francisco and the events leading up to the killing. At the centre of it all stands ‘The Mars Room’, the strip club where Romy worked to provide for her son Jackson. The novel explores the circumstances that shape Romy as an individual, the choices she makes, and how larger forces outside her control (such as the justice system) shape her destiny. Beautifully written – and shortlisted for the 2018 Booker Prize.

Jørn Lier Horst, The Katharina Code, tr. by Anne Bruce, Penguin 2018 (Norway)

The 2019 Petrona Award winner! The Katharina Code is one of my favourite things – a really gripping cold case. Every year, Chief Inspector William Wisting gets out his notes on the disappearance of Katharina Haugen, who vanished from her home twenty-four years earlier, leaving only a mysterious ‘code’ on the kitchen table, ‘a series of numbers arranged along three vertical lines’. This particular year, however, a development in another investigation finally moves the case on… An outstanding police procedural that takes established tropes – the cold case, the longstanding suspect, the dogged nature of police work – and combines them in ways that are innovative and fresh.

Jess Kidd, Himself, Canongate 2017 (Ireland)

Himself takes us back to the good old, bad old days. It’s Ireland in 1976, and Mahony, a young man brought up by nuns in a Dublin orphanage, returns to Mulderrig, a tiny rural village he recently found out was his birthplace. He is the son of Orla Sweeney, who scandalised the village with her wild behaviour as a young woman, and who disappeared in 1950. With the help of the eccentric Mrs. Cauley and a host of benign spirits who waft through walls, he starts uncovering the hypocrisies, secrets and malign power dynamics of the village. Utterly original, beautifully written and often wickedly funny, this is a crime novel to savour.

Happy reading, and wishing you all a wonderful and very merry Christmas!

Top TV crime as the nights draw in: Giri/Haji (Japan/UK), Guilt (Scotland) & Unbelievable (USA)

There are some outstanding TV crime series on our screens at the moment – just perfect for those dark winter evenings when going out feels like too big an ask.

These three are the top of my heap at the moment.

Giri/Haji (Duty/Shame) – BBC 2 (Japan/UK) 

Giri/Haji is billed as a ‘soulful thriller set in Tokyo and London, exploring the butterfly effect of a single murder across two cities. A dark, witty, and daring examination of morality and redemption’. And that’s pretty much spot on.

I was hooked from the first episode, which sees frazzled Japanese police detective Kenzo Mori (Takehiro Hira) sent to London to find his wayward brother and stop a Yakuza war. The characterization of the main players is fantastic – including Kelly MacDonald as Detective Sarah Weitzmann and Will Sharpe as Rodney, a rent boy whose dad is from Kyoto and whose mum is from Peckham… There’s also some really inventive use of film techniques and genres, like sequences that draw on manga. Thanks to my friend Morgan for alerting me to this series – it’s a keeper!

Guilt, BBC 2 (Scotland)

Guilt is a four-part darkly comic crime caper set in Edinburgh.

On their way home from a wedding one night, brothers Max and Jake (Mark Bonnar and Jamie Sives) accidentally run over a pensioner in the dark. Rather than call for an ambulance or the police, the duo carry the body back into the man’s house and settle it into an armchair before leaving. But of course, they make mistakes… And in trying to cover up those mistakes, they end up making more…

There’s a great oddball chemistry between the brothers: short-tempered, impatient lawyer Max, and the more laid-back Jake, who runs a failing record shop. Add in the dead man’s niece Angie, who’s over from America to sort out dearly departed Uncle Walter’s estate but smells a rat, and you have a recipe for plenty of criminally good fun.

Unbelievable (Netflix / USA)

Unbelievable completely blew me away. The story of a serial rape investigation in Colorado and neighbouring states, it places the female victims squarely at the heart of its narrative, along with the tenacious and meticulous police-work of two women – Detective Karen Duvall (Merritt Wever) and Detecive Grace Rasmussen (Toni Collette).

The story unfolds along two timelines: the first is 2008, when police are called to the apartment of 18-year-old Marie Adler (an outstanding performance by Kaitlyn Dever), who says she has just been attacked and raped. The second is 2011, when Duvall and Rasmussen spot similarities between the cases they’re investigating and start to work together. The series gives us a detailed insight into how police cultures and attitudes can shape rape investigations, for good and ill, and highlights the urgent need for police cooperation across county and state lines, to stop perpetrators who deliberately commit crimes over a wide area to evade justice.

Unbelievable is based on a true caseas you can read in detail here – although I would strongly advise you to watch the series first and read the piece afterwards. Compelling, illuminating and thought-provoking.

What are you watching right now? Any recommendations?

Riku Onda, The Aosawa Murders (Japan) & the 2019 Booker Prize

The minute I saw this ravishing book cover, I wanted a copy. And – oh happy day – it’s turned out to be one of my most satisfying crime reads of the year.

Riku Onda, The Aosawa Murders (trans. from Japanese by Alison Watts, Bitter Lemon Press, out Jan 2020)

Opening line: What do you remember?

The Aosawa Murders is an fascinating exploration of a crime: the poisoning of seventeen people at a big family birthday party in 1970s Japan. The case was supposedly solved by the police, but as the novel immediately shows, a number of people have doubts that the truth was properly established – including the lead investigator. In particular, the enigmatic figure of Hisako, the blind daughter and sole family member to survive, is the focus of much scrutiny and speculation.

I loved this novel’s originality, intelligence and verve. Readers are invited to glean new clues about the murders from interviews carried out by an anonymous individual – a kind of Rashomon homage that sifts the memories of those close to the crime, such as local kids who visited the family home, the housekeeper’s daughter, the prime suspect’s neighbour, and the detective in charge of the case. One of these interviewees is Makiko Saiga, who wrote a bestselling book on the crime eleven years after it happened, and who reports on the interviews she carried out back then, creating a kind of Chinese-box narrative on three different time levels (1970s,1980s, 2000s). As we move through the novel, more and more details about what people knew are revealed, along with the toll the crime has taken on them personally. Beautifully written and translated, with great characterization and sense of place, I was hooked from the first to the last page.

Many thanks to Bitter Lemon Press for the preview copy.

Booker Prize news. As you’ve probably heard, the Booker Prize jury staged a ‘joyful mutiny’ and awarded the 2019 prize to two authorsBernadine Evaristo for Girl, Woman, Other, and Margaret Atwood for The Testaments.

I’ve yet to read Girl, Woman, Other, but can thoroughly recommend The Testaments, especially to fans of the Handmaid’s Tale and the excellent TV adaptation. It’s a surprisingly difficult novel to review without giving spoilers away, so I’ll resist detailed descriptions. Suffice to say that it’s a searing exploration of state-sanctioned crimes against women, and features one of the most complex and fascinating characters from the TV series, whose perspective provides fresh insights into the origins and workings of Gilead. It’s a book I’ll be reading at least twice…

Noirwich 2019 & Ten Autumn Crime Reads

Well, Noirwich 2019 was a blast. It was my first time at this crime festival – now in its 6th year – and it has certainly hit its stride. I was there on the Saturday, as part of a range of panels at the incredible medieval Dragon Hall. It was quite a venue for our ‘Euro Noir’ panel.

Simone Buchholz and Antti Tuomainen were both on top form, and there was *plenty* of interesting discussion and laughter. Although their work shares a very strong noirish feel and humour, there are also some striking differences, which made for rich conversation. For example, Simone writes the ‘Chastity Riley’ series, while Antti focuses on standalones; Simone’s work is rooted in the ‘mean streets’ of Hamburg, while Antti’s novels wander around Finland, from the capital Helsinki to seaside towns and villages in the frozen east.

Both writers acknowledged the influence of Noir writers and filmmakers from Raymond Chandler to Jakob Arjouni and the Coen Brothers, but also felt that after a few books, these were subsumed into their own authorial voices – they had made them their own. And both felt that characters were at the heart of the story rather than the plot, and that placing characters in a quandary or difficult scenario gives narratives their oomph.

You can see how much fun we all had below… It was a very lively panel! And the bilingual readings in German-English and Finnish-English went down a storm.

You’d be forgiven for thinking Simone and Antti are doing a karaoke version of ‘Islands in the Stream’…

Mrs Peabody’s 10 Autumn Crime Reads

These are my most anticipated reads as the nights draw in. Some are recent, some not; some are pure crime, some are cross-genre… All look great!

  1. Laila Lalami, The Other Americans (US)
  2. Stina Jackson, The Silver Road, trans. Susan Beard (Sweden)
  3. Margaret Atwood, The Testaments (Canada)
  4. John le Carré, Agent Running in the Field (UK)
  5. George Pelecanos, The Man Who Came Uptown (US)
  6. Kevin Barry, Night Boat to Tangier (Ireland)
  7. Elif Shafak, 10 Minutes 38 Seconds in this Strange World (UK/Turkey)
  8. Janet Malcolm, The Journalist and the Murderer (US; non-fiction)
  9. Denise Mina, Conviction (Scotland; Denise was at Noirwich and her session made me want to grab this book.)
  10. Riku Onda, The Aosawa Murders, trans. Alison Watts (cheating; not out until Jan 2020, but hey).

The Silver Road is one of the submissions for the 2020 Petrona Award.

NOIRWICH Crime Writing Festival: ‘Dissecting Euro Noir’ with Simone Buchholz & Antti Tuomainen (Sat 14 Sept)

A heads up for all crime fans who can get to Norwich next weekend! I’ll be chairing the following event with Simone Buchholz and Antti Tuomainen next Saturday at the Noirwich Crime Writing Festival.

Dissecting Euro Noir’, Dragon Hall, Norwich, 5pm (get your tickets here!)

Simone Buchholz and Antti Tuomainen are two pillars of the Euro Noir community, penning some of the darkest, grittiest and most riveting crime thrillers of recent years. We are delighted to welcome Simone from Germany and Antti from Finland to dissect their latest novels in translation, their use of grisly detail and dark humour, and why they think European crime fiction is one of the most electrifying and successful genres in the world.

As part of my prep, I’ve had my nose in Beton Rouge and Little Siberia all this week, and both have been an absolute delight.

Simone’s Beton Rouge is the second in the ‘Chastity Riley’ series to be published in English – a stylish Hamburg take on hard-boiled noir, which opens with a grim discovery outside the offices of a magazine. Antti’s Little Siberia is a hilarious yet poignant noir romp, triggered by a meteorite crashing onto a car in a remote town in eastern Finland. In both cases, translators Rachel Ward and David Hackston communicate the humour and noirness of the originals with aplomb.

If you can get to Norwich for this event next Saturday – by plane, train, car or mule – then please do come along. Both of these authors are wonderfully engaging speakers, and there’ll be plenty of Euro noir chat and laughter – guaranteed!

And…as an exclusive extra today, courtesy of Orenda Books, here’s the cover reveal for Simone’s new book, Mexico Street, which is out in March next year.

Love it. And here’s a sneak preview of Chastity Riley’s third case… 

Night after night, cars are set alight across the German city of Hamburg, with no obvious pattern, no explanation and no suspect.

Until, one night, on Mexico Street, a ghetto of high-rise blocks in the north of the city, a Fiat is torched. Only this car isn’t empty. The body of Nouri Saroukhan – prodigal son of the Bremen clan – is soon discovered, and the case becomes a homicide.

Public prosecutor Chastity Riley is handed the investigation, which takes her deep into a criminal underground that snakes beneath the whole of Germany. And as details of Nouri’s background, including an illicit relationship with the mysterious Aliza, emerge, it becomes clear that these are not random attacks, and there are more on the cards…