It’s been a busy year for Mrs. Peabody Investigates, with reviews of international crime fiction from Denmark, Finland, Germany, Italy, Northern Ireland, South Africa, Sweden, Switzerland and the USA. There were also a number of lively discussions on subjects including autopsy scenes; violence and women; Jewish detective figures; national image; strong female protagonists, and the crime writer as social commentator. Many thanks to everyone who joined in with their expertise and views! Last but not least, interviewing crime writers at the Harrogate Crime Writing Festival and contributing to Mark Lawson’s ‘Foreign Bodies’ series on Radio 4 were definite highlights.
So to finish off the year, here’s a random round-up of the best – and worst – of Mrs Peabody’s 2012 (with thanks to apuffofjack for the idea).
Most Satisfying Read: Tom Franklin’s Crooked Letter, Crooked Letter (2010), a gripping examination of the repercussions of a murder, set in the American Deep South of the 1970s, 1980s, and the present day.
Best Historical Crime Novel: Tie between Malla Nunn’s A Beautiful Place to Die (2010), which provides a fascinating insight into apartheid South Africa in the 1950s, and Stuart Neville’s The Twelve (2010) – hard-hitting Belfast noir exploring the legacy of The Troubles.
Crime Novel that Lingered Longest in the Mind: Jim Thompson’s The Killer Inside Me (1952), which presents a chilling, but surprisingly nuanced portrait of murderer Lou Ford.
Best Female Detective: Tie between Edie Kiglatuk from M.J. McGrath’s White Heat (2011) and Emily Tempest from Adrian Hyland’s Diamond Dove (2006) (reviews pending). In many ways, these characters are twins: feisty, tough women who have complex insider / outsider roles in marginalised indiginous communities (the Inuit of the Arctic Circle and the Aboriginal people of the Australian outback).
Best Male Detective: Finnish-Jewish police inspector Ariel Kafka in Harri Nykänen’s Nights of Awe (2010): a highly original and witty investigator, whom I look forward to meeting again (albeit with a slightly less convoluted plot).
Best Discovery: Leif G.W. Persson is well-known in his native country as a top criminologist and crime writer, but his razor-sharp dissections of Swedish society have only started to be translated relatively recently. I’ve just finished Another Time, Another Life (2012), which was a gem, and am keen to read more.
Most Original Premise: Ben Winters’ The Last Policeman (2012) is a ‘pre-apocalypse police procedural’, in which Detective Hank Palace investigates a suspicious suicide six months before asteroid 2011GV1 is due to hit the earth. The first in a trilogy (review pending).
Best Re-read: Jakob Arjouni’s Turkish-German Kemal Kayankaya series (1985-2012). A ground-breaking detective who uses intelligence and wit to make his way in a largely racist society. The first in the series, Happy Birthday, Turk (1985), remains a cracker.
Best Use of Humour: Leif G.W. Persson uses satirical humour to great effect as he lifts the lid on the workings of Swedish society. Look out for the pathologist nicknamed ‘Esprit de Corpse’ in Another Time, Another Life.
Best crime TV series: The Killing III, in which Sarah Lund strode forth for the last time (still in denial that it’s over *sob*).
Best crime film: Tie between Romanzo Criminale (dir. Michele Placido, 2006), which traces the rise and fall of an Italian street gang, and Once Upon a Time in Anatolia (dir. Nuri Bilge Ceylan, 2011), which plays out over a dream-like night of a police investigation (reviews to follow).
Most Anticipated Reads for 2013: Stuart Neville’s Ratlines (2013), set in a 1960s Ireland whose government is keen to play down its links with former Nazis, and Y.A. Erskine’s The Brotherhood (2011), a much-praised depiction of police corruption and betrayal set in Tasmania.
All best wishes for a healthy and happy New Year, filled with lots of wonderful crime fiction.