Extensive re-run of BBC Radio 4’s ‘Foreign Bodies’ crime fiction series on now!

Thanks to Andy Lawrence for spotting that BBC Radio 4 is re-running episodes from Mark Lawson’s excellent ‘Foreign Bodies’ crime fiction series on BBC Radio Four extra and BBC iPlayer Radio. Most episodes will be available online for a month following broadcast, and offer 15-minute opportunities to delve into the work of key crime writers and traditions from around the world.

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The ‘Foreign Bodies’ series are close to my heart for their celebration of international crime fiction, their focus on some of our most interesting detective figures, and their analysis of how crime fiction is used to explore important political and social issues. I was also lucky enough to contribute to two episodes in Series 1 – on the works of Friedrich Dürrenmatt and Jakob Arjouni respectively.

Here’s a list of the ‘Foreign Bodies’ programmes you can listen to via BBC Radio iPlayer, either now or in the coming days. If you’re looking for some gems to add to your reading list, then these programmes are definitely for you.

Series 1, Episode 1  Belgium: Hercule Poirot and Jules Maigret (Agatha Christie and Georges Simenon)

Series 1, Episode 2  Switzerland/Germany: Inspector Bärlach (Friedrich Dürrenmatt… with a contribution from Mrs Peabody)

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Series 1, Episode 3  Czechoslovakia: Lieutenant Boruvka (Josef Skvorecky)

Series 1, Episode 4  The Netherlands: Commissaris Van Der Valk (Nicolas Freeling)

Series 1, Episode 5  Sweden: Inspector Martin Beck (Maj Sjöwall and Per Wahlöö)

Series 1, Episode 6  UK: Commander Dalgliesh/Chief Inspector Wexford (P.D. James and Ruth Rendell)

Series 1, Episode 7  Sicily: Inspector Rogas (Leonardo Sciascia)

Series 1, Episode 8  Spain: PI Pepe Carvalho (Manuel Vázquez Montalbán)

Series 1, Episode 9  UK: DCI Jane Tennison (Linda La Plante)

Episodes 10 to 15 are not yet listed as available, but they may well be soon – I’ll update if so (these include Montalbano/Italy, Kayankaya/Germany, Rebus/Scotland, Wallander and Salander/Sweden, Harry Hole/Norway and Fandorin/Russia).

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Series 3, Episode 1  Cuba: an exploration of fictional investigations of Cuba after the Castro revolution with Leonardo Padura, author of The Havana Quartet, and Caroline Garcia-Aquilera, a Cuban-American writing from exile in Miami.

Series 3, Episode 2  USA: Laura Lippman and Walter Mosley, the creators of private eyes Tess Monaghan and Easy Rawlins, discuss how they introduced the experience of women and black Americans into crime fiction dominated by men and a McCarthyite fear of outsiders.

Series 3, Episode 3  Poland: Zygmunt Miloszewski and Joanna Jodelka reflect on how Polish crime fiction depicts the country’s occupation by Nazis and Communists, the transition to democracy through the Solidarity movement and lingering accusations of racism and anti-Semitism.

Series 3 Episode 4  Australia: Australia’s leading crime novelist, South African-born Peter Temple, discusses depicting a society shaped by both British colonialism and American power, and why Australian crime fiction should contain as few words as possible.

Series 3 Episode 5  Nigeria: Writers Helon Habila and C.M. Okonkwo discuss how a flourishing new tradition of Nigerian crime fiction explores British legacy, tribal tradition and the new “corporate colonialism” as global companies exploit the country’s mineral reserves.

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Mark Lawson’s article on the first ‘Foreign Bodies’ series is also available via The Guardian: ‘Crime’s Grand Tour: European Detective Fiction’.

Merry Christmas! Mrs Peabody’s festive round-up

I’m behind on my Christmas preparations this year, which means that this festive round-up is a little later than usual. On the plus side, it may help a few of you out of a last-minute present conundrum, or lead you to a nice, independent bookshop because it’s too late for online orders. You might also be moved to buy yourself a little gift. Go on, you deserve it.

The following are just some of my favourite crime novels of the year. All, in my view, would make a delightful escape from the mayhem of Christmas or family, especially when curled up on the sofa with a nice glass of wine.

Anne Holt and Berit Reiss-Anderson, The Lion’s Mouth (NORWAY: trans. by Anne Bruce, Corvus, 2014). Anne Holt is often described as the queen of Norwegian crime, and has drawn expertly on her own career in the police, law and government in the creation of the ‘Hanne Wilhelmsen’ police series (she was even Norwegian Minister of Justice for a while). This fourth installment in the series, originally published in 1997, explores the suspicious death of the Norwegian Prime Minister, who is found dead in her office just six months following election. A fusion of locked-room mystery, Borgen and police procedural, it’s a quietly satisfying read that’s held up well.

Arnaldur Indridason, Reykjavik Nights (ICELAND: trans. by Victoria Cribb, Harvill Secker, 2014). This prequel to the ‘Murder in Reykjavik’ series is a wonderfully absorbing read, which traces the start of Erlendur’s journey from young policeman to detective as he investigates the death of a homeless man and the disappearance of a woman. Set in 1974, the year Iceland celebrated 1100 years of settlement, we are also shown how a traumatic childhood event begins to shape Erlendur’s personal life and investigative career. The novel is a great read for those who are new to the series and for long-established Erlendur fans alike.

Hannah Kent, Burial Rites (AUSTRALIA/ICELAND: Picador, 2013). This impressive debut novel by a young Australian author is not for those looking for ‘cosy’ Christmas crime. Kent spent some time in Iceland as an exchange student and describes the book as her ‘dark love letter’ to the country: set in northern Iceland in 1829, it explores the case of Agnes Magnúsdóttir, the last Icelandic woman to be executed for murder. The figure of ‘the murderess’ tells us a lot about the gender, class and power relations of the time, and the picture the author paints of every-day, rural Icelandic life is fascinating. The story, setting and their links to the Icelandic sagas stayed with me long after reading it.

Hans Olav Lahlum’s The Human Flies (NORWAY: trans. by Kari Dickson, Mantle, 2014, [2010]) sounds like a horror film that’s best avoided after a large meal. However, it turns out to be something quite different: a well-constructed and witty homage to the classic crime fiction of Agatha Christie, set in 1968 Oslo, which has some interesting historical depth. Featuring ambitious young police detective Kolbjørn Kristiansen on his first big case – the murder of a former resistance fighter – readers are treated to an apartment building of intriguing suspects and a page-turning investigation, as well as the considerable intellect of Kristiansen’s wheelchair-bound partner Patricia.

Laura Lippman, After I’m Gone (USA: Faber and Faber, 2014). Ignore the rather daft cover. After I’m Gone is a literary crime novel that dissects a murder case by means of a rich narrative with some wonderful characterisation (the latter is one of Lippman’s great strengths). Told on a number of different time levels, it traces the stories of five women left behind when white-collar criminal Felix Brewer disappears in July 1976 – his wife Bambi Gottschalk, his three daughters, and his mistress Julie – as well as the investigation into Julie’s murder by detective Sandy Sanchez in the present. An engrossing, quality read.

Anya Lipska, Death Can’t take a Joke (UK/POLAND: The Friday Project, 2014). This is the second in the ‘Kiszka and Kershaw’ series, featuring Polish ‘fixer’ Janusz Kiszka and London police detective Natalie Kershaw. While I enjoyed Lipska’s first novel, Where the Devil Can’t Go, the second is where the series really gets into its stride: the duo’s investigation into two deaths, including one of Kiszka’s closest friends, is a tightly constructed page-turner with an engaging, blackly comic tone. The novel also features one of the best first chapters I’ve read this year… For a more in-depth exploration, head over to Margot Kinberg’s marvellous Confessions of a Mystery Novelist blog.

Marco Malvaldi, Game for Five and Three Card Monte. 1 and 2 of the ‘Bar Lume Trilogy’ (ITALY: Europa Editions/World Noir 2013/14). These light-hearted crime novels feature amateur detective Massimo Viviani, the maverick owner of Bar Lume, investigating mysterious deaths in Pineta in Northern Italy. Massimo is ably assisted in his work by four cantankerous, octogenarian barflies, including his own extremely opinionated grandfather. Witty, entertaining and stylishly packaged.

Eduardo Sacheri, The Secret in Their Eyes (ARGENTINA: trans. by John Cullen, Other Press, 2011 [2005]). I was given this novel last Christmas and it became one of my first and favourite reads of the year. Benjamin Miguel Chaparro, a newly retired Deputy Clerk in Buenos Aires, begins to write a novel about a case that has haunted him since 1968 – the murder of a young wife, Liliana Colotto, in her own home one summer’s morning. Oscillating between the past and the present, and spanning twenty-five years of Argentine history, the narrative tells the story of the murder and its repercussions for those left behind: husband Ricardo Morales, investigator Benjamin, and the murderer himself. The 2010 film adaptation was also a cracker. A full review is available here.

Olivier Truc, Forty Days without Shadow (FRANCE/LAPLAND: trans. by Louise Rogers LaLaurie, Trapdoor, 2014). This novel uses its criminal investigation as a means of exploring the history, culture and climate of Lapland. It also features the reindeer police! The novel opens with Sámi-Norwegian reindeer policeman Klemet Nango and partner Nina Nansen investigating the theft of a priceless Sámi drum from a museum. Shortly afterwards, Sámi herder Mattis is found dead, and ‘Patrol P9′ finds itself grappling with two crimes that could well be interlinked. A gripping novel that shines a spotlight on a fascinating part of the world. A full review is available here.

If the crime lover in your life is into TV drama, then my two top picks are as follows:

The Australian series The Code, which aired on BBC4 a few weeks ago and I reviewed enthusiastically here. This six-part political thriller opens with the mysterious death of Aboriginal teenager Sheyna Smith in Lindara, a remote New South Wales township. The circumstances of her death are hushed up, so when Ned Banks (a journalist for an internet newspaper) and his brother Jesse (an internet hacker on the autistic spectrum) start to investigate, you just know there’s going to be trouble. An utterly gripping, intelligent drama.

British police drama Happy Valley, a hard-hitting, six-part series that traces the fall-out from a kidnapping in the West Yorkshire valleys, while exploring its protagonists’ complex personal lives. Sarah Lancashire gives an absolutely outstanding performance as policewoman Catherine Cawood, together with an excellent supporting cast. Be warned that there is some very graphic (though in my view not gratuitous) violence. I think that 18 would be a more accurate rating than the 15 on the box. An addictive and top quality crime series.

And my own indulgence this Christmas? That would be the American drama True Detective, which I’m very much looking forward to watching. Have you indulged yourself as well? Do share if so!

Wishing all the readers of this blog a very happy and relaxing Christmas.

See you all in 2015!

German Zimtsternchen (little cinnamon star).    Quite addictive.