Jingle Bells! Mrs. Peabody’s 2020 Christmas crime recommendations

Well, it’s been quite a year. My ‘crime time’ has been severely dented by all the upheaval, but here are some of my reading and viewing gems.

Treat others! Treat yourself!

And if you’re in the UK, please consider using https://uk.bookshop.org/, which is a brilliant way to support local booksellers while keeping yourself and others safe.

Mrs. Peabody’s 2020 Christmas crime recommendations!

Knives Out, directed by Rian Johnson, 2019 (USA)

Wealthy mystery novelist Harlan Thrombey celebrates his 85th birthday at his mansion surrounded by his loving family. The next morning he is found dead; his throat has been cut. Enter the police and investigator Benoit Blanc, who begin to discover clues…and some unsavoury secrets within the family.

My son recommended this film to me with the words ‘you’ll love this’ and he was absolutely right. Knives Out is huge fun from start to finish, as well as a razor sharp commentary on race and class in the USA. Cuban-Spanish actress Ana de Armas is fantastic as Marta Cabrera, Harlan’s beleaguered carer, who finds herself placed in a very tricky situation. And the all-star cast — including Daniel Craig, Chris Evans, Jamie Lee Curtis, Toni Collette, Don Johnson and Christopher Plummer — have a high old time hamming their way through this clever take on the Golden Age country house mystery. Perfect Christmas viewing for those who like their crime martinis both shaken and stirred.

Hannelore Cayre, The Godmother, tr. Samantha Smee, Pushkin Press 2019 (France)

Opening line: My parents were crooks, with a visceral love of money.

This prize-winning novel was recommended to me by crime writer Angela Savage a while ago, and it’s a cracker. As a translator myself, I was hugely tickled by the idea of a police interpreter inadvertently falling into a life of crime. And Madame Patience Portefeux, a 53-year-old widow with some tough times behind her, relates her story with wit, verve and plenty of caustic insight into French society. There’s an excellent review of the novel by RoughJustice over at Crime Fiction Lover (minor spoilers) – a very entertaining festive read! Winner of the 2020 CWA Crime Fiction in Translation Dagger.

Shirley Jackson, We Have Always Lived in the Castle, Penguin 2009 [1962] (USA)

Opening line: My name is Mary Katherine Blackwood.

This cult Gothic (crime) novel was one of those ‘how-have-I-never-read-this-before’ books. Mary Katherine — or Merricat — lives a largely isolated life in the Blackwood home with her sister Constance and Uncle Julian. Early on, she nonchalantly tells us that ‘everyone else in my family is dead’. The rest of the novel teases out the unfortunate story of the deceased Blackwoods, and relates a series of events in the present that will have a decisive impact on the family’s future.

I was instantly hooked by Merricat’s highly original voice and the novel’s creepy Gothic atmosphere. It also has some interesting things to say about suffocating patriarchy, sisterly sacrifice and social exclusion. We Have Always Lived in the Castle is a genuinely unsettling delight and I’m sure I’ll be rereading it a number of times.

Antti Tuomainen, Little Siberia, tr. David Hackston, Orenda Books (Finland)

Opening line: ‘And how do you know what happens then?’

Our 2020 Petrona Award winner, by one of crime fiction’s most inventive and versatile writers – what’s not to like?!

Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human. A celebration of resilience, fortitude and simply muddling through, this is a novel for our times.

Giri/Haji, BBC 2020 (Japan/UK; now on Netflix)

Giri/Haji [Duty/Shame] is billed as a ‘soulful thriller set in Tokyo and London, exploring the butterfly effect of a single murder across two cities — a dark, witty, and daring examination of morality and redemption’. And that’s pretty much spot on.

I was addicted from the first episode, which sees frazzled Japanese police detective Kenzo Mori (Takehiro Hira) sent to London to find his wayward brother and stop a Yakuza war. The characterization of the main players is fantastic – including Kelly MacDonald as Detective Sarah Weitzmann and Will Sharpe as Rodney, a rent boy whose dad is from Kyoto and whose mum is from Peckham… There’s also some beautifully inventive use of film techniques and genres, including a number of sequences that draw on manga. I can’t find this on DVD, and it’s gone from iPlayer, but it *is* on UK Netflix. Sneak off from Christmas duties, pour yourself a glass of sherry, and get stuck in.

And finally… Ragnar Jonasson’s ‘Hulda’ or ‘Hidden Iceland’ trilogy (Penguin), which is told in reverse, with each novel set prior to the last (when Hulda is aged 64, 50 and 40).

The first novel, The Darkness (tr. Victoria Cribb) introduces us to taciturn Reykjavik Detective Inspector Hulda Hermannsdóttir. She’s about to be shoved into retirement, but is grudgingly offered the chance to look into one last cold case before she goes – that of Elena, a young Russian woman whose body was found on the Icelandic coast. This is an intriguing, multilayered novel, whose true power only becomes evident right at the end. Jónasson dares to follow through in a way that few crime writers do, and the final result is very thought-provoking indeed. The second in the series is just as powerful, and I’m looking forward to reading the third. I have a theory about how things will go. Let’s see if I’m right!

Happy reading, stay safe, and wishing you all a wonderful and very merry Christmas!

The 2020 Petrona Award shortlist is out!

Just in time for the season of snowflakes and reading under cosy blankets, here’s the 2020 Petrona Award shortlist!

Petrona

Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year.

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist.

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface.

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension.

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place.

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja.

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)

Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.

THE WINNER will be announced on Thursday 3 December 2020!

The judges’ comments on the shortlist:

There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints. There were 13 female and 24 male authors.

This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller.

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective.

We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award.

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.

The judges

Jackie Farrant – Crime fiction expert and creator of RAVEN CRIME READS; bookseller for eighteen years and a Regional Commercial Manager for a major book chain in the UK.

Kat Hall – Translator and editor; Honorary Research Associate at Swansea University; international crime fiction reviewer at MRS. PEABODY INVESTIGATES.

Jake Kerridge – Journalist and literary critic. He has been the crime fiction reviewer of the Daily Telegraph since 2005 and has judged many crime and thriller prizes.

Award administrator

Karen Meek – owner of the EURO CRIME website, reviewer, former CWA judge for the International Dagger, and Library Assistant.

Quentin Bates’ Cold Malice — Gunna rides again!

I’m delighted to welcome crime author Quentin Bates to the blog. His latest novel, Cold Malice, has just been published — and features one of my all-time favourite investigators, Icelandic police officer Gunnhildur ‘Gunna’ Gísladóttir.

Below, there’s a little about the novel, together with an exclusive extract… I’ve also included part of an interview I did with Quentin a while back, in which he answers questions about writing the character of Gunna and the kind of Iceland he tries to depict.

Cold Malice: Reykjavík detective Gunnhildur Gísladóttir tries not to believe in ghosts. But when Helgi, one of her team, is certain he’s seen a man who was declared dead fifteen years ago, she reluctantly gives him some unofficial leeway to look into it.

Has the not-so-dead man returned from the grave to settle old scores, or has he just decided to take a last look around his old haunts? Even the rumour of his being alive and kicking is enough to spark a storm of fury and revenge, with Gunnhildur and Helgi caught up in the middle of it.

Extract 

>> The sea and the dawn sky melded into an enfolding grey blanket as the boat shoved its way through the chop of the waves. The skipper sat in the wheelhouse chair and gnawed his fingernails, eyes on the screens in front of him. It wasn’t likely, but considering the nature of the bundle nestling under the gunwale where it couldn’t be easily seen, a chance visit right now from the Coast Guard or those busybodies from the fisheries patrol would at best be hard to explain and at worst disastrous. He had no business being here, far outside his usual fishing grounds, and that in itself was suspicious. In fact, he was away from anyone’s fishing grounds, in a patch of the Baltic where the mustard gas and explosives dumped after a couple of wars had ensured that any kind of fishing was out of the question.

He brooded that if he hadn’t had debts, he’d have told them to go and fuck themselves sideways.

Eventually he eased back the throttle and the engine’s rumble died away to a throaty mutter beneath his feet, the boat rocking in the unpredictable Baltic swell. He unzipped the bag, tried not to look at the emaciated face that gazed back at him, its eyes half closed, and hurriedly dropped a couple of yards of chain inside, adding some worn shackles for good measure. He zipped the bag shut and punched holes in it, surprised at how its tough fabric resisted his knife. It was also a surprise how little the bag and its contents weighed as he rolled it over the gunwale and watched it disappear from sight to join the rusting shells and canisters of poison far below.

He shuddered to himself, put the boat back into gear, and felt a surge of relief as he pushed the throttle lever forward as far as it would go. That was a debt paid, one of many, but he wondered how long it would be before another favour he could hardly refuse would be requested. <<

Author Quentin Bates

Mrs P: Quentin, you’re in the unusual position as a British author of having lived in Iceland for many years. How has that experience – together with your ongoing links to the country – shaped your crime writing?

Quentin: I shied away from the idea of using Iceland as a backdrop when I started toying with the idea of fiction. There were a few false starts, until it dawned on me that it would be plain daft not to use all that knowledge, insight and experience, so that’s when Frozen Out [the first in the ‘Gunna’ series] started to take shape. Being familiar with the language gives you a huge advantage in being able to understand the intricacies of Iceland’s internecine politics and much of the subtext to what goes on that an outsider simply wouldn’t be aware of, as well as being able to laugh at all the otherwise incomprehensible jokes.

Mrs P: Which particular aspects of Icelandic society have you been keen to share via your crime writing?

Quentin: Let’s say I prefer to avoid the clichés, the stuff the tourists see. Very little of my work seems to be set in Reykjavík 101, the central district where all the hotels, bars and whatnot are, which is hipster central these days, lots of manbuns and frothy coffee. I’m happier with the outlying parts of the city and the surrounding towns that are so different to what many visitors see. What I really like to try and work in there is the quiet, subtle humour of the older generation of Icelanders that has its roots in a time when Iceland was a very different place. It’s a humour so bone-dry that it’s easy to miss it, and it can fly right over your head if you’re not watching out for it.

Mrs P: Icelandic police series by authors such as Arnaldur Indriðason and Ragnar Jónasson feature male detectives. What made you decide to create a female police officer?

Quentin: I didn’t set out to create a female investigator. She just appeared. Originally Gunnhildur was the sidekick to a fairly dull male main character who just didn’t click. He was so forgettable that I can’t even remember what name I gave that ill-thought out character back in that very first draft of Frozen Out. He was quite quickly jettisoned once it had occurred to me that the sidekick was the more interesting character, and she did demand attention. To my surprise, I didn’t find it especially difficult to write a female character. People seem to like her and say she’s realistic, but I think I’m too close to her to be able to judge.

Mrs P: Tell us a little about the way you depict Officer Gunnhildur in the series.

Quentin: Gunnhildur is a character who is definitely not from Reykjavík, and she was deliberately given roots in a coastal region in the west so she can have something of an outsider’s point of view. That’s why she and Helgi connect so well, as he’s also from a rural background in the north and they share a similar background as immigrants to Reykjavík, while Eiríkur is a city boy with little in common with his two middle-aged (or ancient, as he would see them) colleagues.

With thanks to Quentin Bates! There’s also a great review of Cold Malice over at Raven Crime Reads

This wonderful drawing by @redscharlach is of Hinrika in Trapped, but she really reminds Mrs P of Gunna as well.

Summertime crime (Australia, UK, Iceland)

I hope you’re all in a summery mood and finding time for some relaxing crime fiction – novels that whisk you away from humdrum everyday life and morale-sapping political shenanigans.

Here are three that have done the trick for me lately.

Chris Hammer, Scrublands (Wildfire, 2019)

This debut novel, set an isolated Australian town suffering from drought, has attracted some rave reviews. It opens with a puzzle: why would charismatic priest Byron Swift open fire on his own congregation from the church steps one Sunday morning, killing five men? A year on, burned-out journalist Martin Scarsden arrives in Riversend to write a feature on the impact of the tragedy on the community, and is struck by how what locals say doesn’t always fit into the accepted version of events.

I really enjoyed Scrublands, although things went a teensy bit bananas in the end. Big pluses for me included the intriguing puzzle of Swift’s actions, the depictions of troubled journalist Scarsden and the embattled Riversend community, and an utterly gripping section on the battle to contain a bushfire. The rather irritating characterization of the (stunningly beautiful) love interest and an increasingly overloaded plot were less beguiling. In the end, there were enough twists and turns to fill three crime novels, and the chunks of exposition needed to explain these felt a bit intrusive. But overall this was a worthwhile and entertaining read, and very well written in parts.

Lesley Thomson, The Dog Walker (Head of Zeus, 2017)

Lesley Thomson’s ‘The Detective’s Daughter’ series has become one of my favourites in recent years. I always enjoy the company of her quirky sleuthing duo, Stella Darnell (detective’s daughter and cleaner extraordinaire) and her sidekick Jack Harmon. In The Dog Walker, Stella and Jack investigate the 1987 disappearance of Helen Honeysett, a young wife who went for a run along the Thames towpath one evening and never came home. Suspicion immediately fell on one of her neighbours, but perhaps he was innocent after all? Thomson provides readers with an intriguing array of suspects living in a row of five riverside cottages (there’s a great little map at the front of the novel showing who lives where). The chapters set in the 1980s stand out for their narration of events from a child’s perspective – that of young Megan – and are extremely well observed.

If you’re new to this series, I’d recommend reading the series opener, The Detective’s Daughter, before you start this one.

Quentin Bates, Cold Breath, Constable 2018 

Another of my favourite investigators is Officer Gunnhildur ‘Gunna’ Gísladdóttir, a no-nonsense middle-aged Icelandic policewoman. In this, the seventh novel in Quentin Bates’ absorbing series, Gunna is placed in the unusual position of acting as a police bodyguard to Osman, a high-profile foreign guest. What should be a straightforward assignment turns into something much more serious when there’s an attempt on Osman’s life. The novel tracks events from the perspectives of the would-be assassins, those unfortunate enough to inadvertently get in their way, and Gunna and Osman respectively. The larger mystery of Osman’s identity hangs over proceedings as well. A thrilling plot, strong characterization and plenty of wry humour all make for a great read – and the novel’s Icelandic settings are evocatively drawn.

What stand-out crime novels have you been reading this summer?

Post your recommendations below! 

The 2019 Petrona Award shortlist has landed!

Here we go!!!

Six outstanding crime novels from Denmark, Iceland and Norway have been shortlisted for the 2019 Petrona Award for the Best Scandinavian Crime Novel of the Year, which is announced today. They are… *drumroll*

  • THE ICE SWIMMER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)
  • THE WHISPERER by Karin Fossum, tr. Kari Dickson (Harvill Secker; Norway)
  • THE KATHARINA CODE by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)
  • THE DARKNESS by Ragnar Jónasson, tr. Victoria Cribb (Penguin; Iceland)
  • RESIN by Ane Riel, tr. Charlotte Barslund (Doubleday; Denmark)
  • BIG SISTER by Gunnar Staalesen, tr. Don Bartlett (Orenda Books; Norway)

THE ICE SWIMMER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)

Kjell Ola Dahl has achieved international acclaim for his ‘Oslo Detectives’ police procedural series, of which The Ice Swimmer is the latest instalment. When a dead man is found in the freezing waters of Oslo Harbour, Detective Lena Stigersand takes on the investigation while having to deal with some difficult personal issues. With the help of her trusted colleagues Gunnarstranda and Frølich, she digs deep into the case and uncovers possible links to the Norwegian establishment. Once again, Dahl has produced a tense and complex thriller, with his trademark close attention to social issues.

THE WHISPERER by Karin Fossum, tr. Kari Dickson (Harvill Secker; Norway)

Winner of the prestigious Riverton Award and Glass Key Award for Nordic crime, Karin Fossum is a prolific talent. The Whisperer focuses on the case of Ragna Riegel, an unassuming woman with a complicated emotional history, who has recently been arrested. As Inspector Konrad Sejer delves into her psyche in the course of a claustrophobic interrogation, Fossum slowly reveals the events leading up to Ragna’s crime. This is a highly assured mix of police procedural and psychological thriller, which really gets to the heart of one woman’s mental turmoil, and how easy it is for an individual to become unmoored from society.

THE KATHARINA CODE by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

Jørn Lier Horst’s ‘William Wisting’ novels are distinguished by their excellent characterisation and strong plots. In The Katharina Code, a dormant investigation is reopened when police focus on a missing woman’s husband and his possible involvement in an earlier, apparently unconnected case. Wisting, who has long harboured doubts about the man’s innocence, becomes a somewhat unwilling participant in the surveillance operation. This finely plotted thriller with a strong sense of unresolved justice shows how Lier Horst is as comfortable writing about rural landscapes as urban settings.

THE DARKNESS by Ragnar Jónasson, tr. Victoria Cribb (Penguin; Iceland)

In Ragnar Jónasson’s The Darkness, the first in the ‘Hidden Iceland’ trilogy, a Reykjavík policewoman on the brink of retirement looks into a final case – the death of Elena, a young Russian woman, which may mistakenly have been labelled a suicide. As much a portrait of its flawed investigator, Detective Inspector Hulda Hermannsdóttir, as of the investigation itself, the novel explores themes ranging from parental estrangement and the costs of emotional withdrawal to the precarious status of immigrants trying to make their way in a new land. The novel’s ending is bold and thought-provoking.

RESIN by Ane Riel, tr. Charlotte Barslund (Doubleday; Denmark)

Ane Riel’s Resin is an ambitious literary crime novel with a remote Danish setting. Narrated mainly from the perspective of Liv, a young girl, it tells the story of three generations of one family, while exploring the complicated factors that can lead individuals to justify and commit murder. Other narrative voices – such as those of Liv’s mother and a neighbour – provide further nuance and depth. A moving meditation on the consequences of social isolation and misguided love, Resin is an innovative novel that offers its readers a keenly observed psychological portrait of a close-knit but dysfunctional family.

BIG SISTER by Gunnar Staalesen, tr. Don Bartlett (Orenda Books; Norway)

In this highly acclaimed, long-running series, former social worker turned private investigator Varg Veum solves complex crimes which often have a strong historic dimension. In Big Sister, Veum is surprised by the revelation that he has a half-sister, who asks him to look into the whereabouts of her missing goddaughter, a nineteen-year-old trainee nurse. Expertly plotted, with an unsettling, dark undertone, this novel digs deep into Veum’s family past to reveal old secrets and hurts, and is by turns an absorbing and exciting read.

Congratulations to all the authors, translators and publishers!

The Petrona judges – Jackie Farrant, Sarah Ward and myself – had the following to say about the shortlist: 

The Petrona Award judges faced a challenging but enjoyable decision-making process when drawing up the shortlist. The six novels selected by the judges stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as mental health issues, the effects of social and emotional alienation, and failures of policing and justice.

We are extremely grateful to the translators whose expertise and skill allows readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

There were 38 entries for the 2019 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 25 translators and submitted by 24 publishers/imprints. There were 14 female and 20 male authors, and two male-female writing duos.

This year’s Petrona Award shortlist sees Norway strongly represented with four novels; Denmark and Iceland each have one.

The crime genres represented include the police procedural, the private investigator novel, psychological crime, literary crime and the thriller.

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia and published in the UK in the previous calendar year. The winning title will be announced at the Gala Dinner on 11 May during CrimeFest, held in Bristol 9-12 May 2019.

The Petrona team would like to thank our sponsor, David Hicks, for his generous support of the 2019 Petrona Award. Huge thanks too to Karen Meek (aka Euro Crime), for all of her excellent organisational work throughout the year!

For further information about the Petrona Award, see http://www.petronaaward.co.uk/

Season 2 of Trapped (Iceland), Staalesen’s Big Sister (Norway) and Braithwaite’s My Sister, the Serial Killer (Nigeria)

Trapped! The first two episodes of this Icelandic crime drama’s highly anticipated second season aired last night on BBC 4. It’s now three years after the events of season 1, and police chief Andri Olafsson is living in Reykjavík. But when a politician is brutally attacked outside parliament by her own brother, Andri is forced to head back north to Seyðisfjörður to unravel a tangle of familial and social conflicts. Locals are up in arms about a new aluminium plant and its effect on the community, and on top of all that, Andri has to deal with his estranged teenage daughter. Brooding landscapes, Icelandic jumpers, and a hefty dollop of the ancient sagas create a compelling mix. And it’s great to see Andri, Hinrika and Ásgeir back together as a team. If you have access to BBC iPlayer, you can catch up there.

Here’s a trailer to whet your appetite:

Which leads me on to…

Gunnar Staalesen’s Big Sister, translated from the Norwegian by Don Bartlett (Orenda Books, 2018)

First line: I have never believed in ghosts.

This is the fifth of Gunnar Staalesen’s ‘Varg Veum’ detective novels to be published in the UK by Orenda Books, but it’s actually a pretty good place to start if you’re new to the series, as we’re given some interesting background to Veum’s own family.

The novel opens with the private eye receiving a surprise visit from a woman. Norma Bakkevik comes to him about a missing person’s case – so far, so conventional – but then reveals that she is Veum’s older half-sister, the daughter of his mother. The novel skilfully interweaves these two narrative strands, following Veum’s investigations into Norma’s goddaughter’s disappearance and his mother’s secret past. As ever, Staalesen treats us to a top-notch read, mainly set in Bergen on Norway’s southwest coast.

Staalesen won the 2017 Petrona Award for Where Roses Never Die. He’s up for the award again this year with Big Sister – can he make it a double?

Incidentally, I’m willing to bet 10p that the novel’s title was inspired by Chandler’s 1949 The Little Sister.

Which leads me to another big and little sister…

Oyinkan Braithwaite, My Sister, the Serial Killer (Doubleday 2018)

First line: Ayoola summons me with these words – Korede, I killed him.

I gobbled up this wholly original Nigerian crime novel in one sitting. Korede is a nurse: she is plain, respectable, and leads a neat and ordered life. Or rather, she would do if it weren’t for her volatile, beautiful younger sister, whose boyfriends seem to have a habit of winding up dead, and who then expects big sis to sort everything out. I won’t give too much more away, but suffice to say this is an arresting read, which fearlessly deploys the darkest of humour to tell its story. The question at the heart of the novel is: how far would you go to protect a family member whose actions you know are criminal? It’s all very nicely done, and manages to avoid an overly pat denouement.

Both the subject matter and tone of My Sister reminded me of Austrian author Bernhard Aichner’s Woman of the Dead, another wonderfully original novel featuring an unrepentant murderess…

You can read a very informative interview with Braithwaite here.

Crime smörgåsbord: Jónasson’s The Darkness (Iceland), Kidd’s Himself (Ireland), Miller’s American By Day (US/Norway), Herron’s Slow Horses (UK)

A very belated Happy New Year to you all! Work’s been a bit manic for the last few weeks, and looks set to continue that way for a while, so please excuse the slightly *ahem* stretchy gaps between my posts. Normal service will be resumed as soon as possible!

Happily, I’ve still been reading behind the scenes, even if I’ve not managed to post as much as I’d like. Here are some highlights…

Ragnar Jónasson, The Darkness, trans. Victoria Cribb (Penguin 2018, Iceland).

First line: ‘How did you find me?’ the woman asked.

Jónasson is best known in the UK for his ‘Ari Thór’ series, published by Orenda Books. The Darkness is the first in a trilogy called ‘Hidden Iceland’, featuring the rather taciturn Reykjavik Detective Inspector Hulda Hermannsdóttir. Hulda is about to be shoved into retirement, but is grudgingly offered the chance to look into one last cold case before she goes – that of Elena, a young Russian woman whose body was found on the Icelandic coast. This is an intriguing, multilayered novel, whose true power only becomes evident right at its end. Jónasson dares to follow through in a way that few crime writers do, and the final result is very thought-provoking indeed. I’m looking forward to seeing where this trilogy will go next. The Darkness is one of this year’s Petrona Award contenders.

Jess Kidd, Himself (Canongate, 2017)

First line: ‘Mahony shoulders his rucksack, steps off the bus and stands in the dead centre of the village of Mulderrig’

Kidd’s The Hoarder was one of my top Christmas picks this year, and made me seek out her debut, Himself, as quickly as I could. It’s Ireland in 1976, and Mahony, a young man brought up by nuns in a Dublin orphanage, returns to Mulderrig, a tiny village he recently found out was his birthplace. He is the son of Orla Sweeney, who scandalised the village with her behaviour and supposedly disappeared in 1950. With the help of the eccentric Mrs. Cauley and a host of benign spirits who waft through walls, he starts uncovering the hypocrisies, secrets and malign power dynamics of the village. Utterly original, beautifully written and often wickedly funny, this is a crime novel to savour.

Derek B. Miller, American By Day (Penguin 2018, US/Norway).

First line: Sigrid Ødegård’s hands rest on the unopened blue folder as she stares out the window of her office.

Miller’s first novel, Norwegian By Night, is one of my favourite crime novels ever (see my rave review here), and this follow up novel features Sigrid Ødegård, the policewoman Sheldon met at the end of that first story. American By Day is a clever counterpart to its predecessor: while Norwegian By Night showed us an American recently transplanted to Norway, American By Day transplants a Norwegian to America, thereby opening the door to a wide-ranging comparison of the two countries’ values and policing cultures, especially in relation to race. Sigrid is a richly drawn, thoughtful character, unsettled by something she did in the course of her policing duties in Norway, and whose brother may have been involved in the death of his girlfriend, an American academic. With the help of US sheriff Irving Wylie and some Sheldon-esque chutzpah, she sets about getting to the bottom of the matter. Intelligent, accomplished and entertaining.

Mick Herron, Slow Horses (Hodder & Stoughton 2010, UK)

First line: This is how River Cartwright slipped off the fast track and joined the slow horses.

I’m extremely late to the party as far as the ‘Jackson Lamb’ series goes, but who cares – I’m here now and I’m having fun. Far from the glamour of the Intelligence Services in Regent’s Park sits Slough House, home of the Slow Horses: agents who in some way or other have screwed up, but can’t quite be pushed out of the service completely as yet. Assigned to mundane tasks and managed by the uncouth Jackson Lamb, each hides painful secrets, while yearning to get back into the action somehow. That moment may have arrived when some kidnappers threaten to broadcast the execution of their hostage Hassan live on the internet. A fabulously entertaining introduction to the Slow Horses, which also has plenty to say about the callousness of ambition and power. Hints of le Carré, but presented in a breezy and darkly humorous way.

Arnaldur Indriðason’s The Shadow Killer: exclusive extract and giveaway!

I’m delighted to feature an exclusive extract from Arnaldur Indriðason’s The Shadow Killer on the blog today. Plus: to celebrate the publication of the novel, the good people at Harvill Secker have donated two copies to give away to UK readers! All you need to do is answer one simple question (see the bottom of the post for details).

Indriðason is one of my very favourite crime writers. He’s best known for the excellent long-running ‘Detective Erlendur’ series featuring Erlendur and his colleagues Elinborg and Sigurdur Oli (see Crime Fiction Lover’s wonderful guide here).

Happily, the author has now embarked on an absorbing new ‘Reykjavík wartime’ series, set in Iceland during the Second World War, a time that brought a huge number of changes to its little capital city, not least due to the presence of the British and American armies. As well as treating readers to an intriguing investigation, The Shadow Killer also provides some fascinating insights into the dramatic social changes in Iceland at the time.

Place: Reykjavíc

Time: August 1941

Detectives: Flóvent (Reykjavic’s only detective) and Thorson (an Icelandic-Canadian military policeman)

Case: A travelling salesman is found murdered in a basement flat, killed by a bullet from a Colt 45. Could a member of the Allied Occupation forces be involved?

View of Reykjavik (taken a few years ago during Iceland Noir)

EXTRACT from The Shadow Killer, translated by Victoria Cribb (Harvill Secker, 2018), pp. 50-52 (reproduced with kind permission of the publisher).

US counter-intelligence had been given temporary quarters in one wing of the old Leper Hospital on Laugarnes Point. They shared it with their British colleagues who had requisitioned the hospital building shortly after the occupation. The few remaining patients had been sent to a sanatorium in Kópavogur, the settlement to the south of Reykjavík.

Although the United States was officially still neutral, within a few months American troops were scheduled to relieve the British garrison and take over responsibility for the defence of Iceland. First to arrive had been the Marine Corps and 5th Defense Battalion on 7 July with their anti-aircraft units, followed by the first land army contingent on 6 August, and more reinforcements were expected any day now to swell their ranks – thousands of armed men who had never even heard of Iceland before, let alone known where to find it on a map. In no time at all Reykjavík had become a seething mass of British troops preparing to withdraw, reinforcements from America, incomers from the Icelandic countryside – seeking a better life in the suddenly prosperous city – and the citizens of Reykjavík themselves, young and old, who had yet to come to terms with the transformation their town had undergone in the last year.

As Thorson drove up to the imposing edifice of the old Leper Hospital on the northern side of Laugarnes, he found himself thinking about prejudice and ostracism, thoughts which were no strangers to him. Naturally the location was no coincidence: the patients had been segregated, kept at a safe distance from the town, or rather, more importantly, the townspeople had been kept at a safe distance from them. A second hospital, the Kleppur Asylum, stood down by the sea a little to the east, even further removed from the town. The Leper Hospital was the most impressive wooden building in the country. It consisted of two floors and an attic, with rows of windows the length of the building and two gables projecting from the front, one at each end. As he admired it, Thorson thought about all the disruption the military occupation had brought to this sparsely populated island and its simple society. On a calm spring day in 1940, the war had come knocking on Reykjavík’s door, and transformed the lives of its inhabitants. Thorson, together with a handful of other Canadian volunteers, had been among the first to come ashore with the British invasion force, as a private in the Second Royal Marine Battalion. They had marched under arms to the country’s main government offices and witnessed first- hand the look of bewilderment on the faces of the townspeople, who must have feared that life in Iceland would never be the same again.

Thorson’s thoughts returned to the task in hand. Analysis of the cyanide capsule found in Felix Lunden’s flat had confirmed his suspicions: it was a so-called suicide pill, manufactured in Germany. If the user bit down on the capsule, or ampoule, the potassium cyanide it contained would theoretically kill him in a matter of seconds, though in practice it could take as long as fifteen minutes, causing indescribable suffering. It was the first time a capsule of this kind had turned up in Reykjavík, and the intelligence officer was demanding to know how it had come into the hands of the Icelandic police. He was a major, fiftyish, aggressive and gruff, with a pockmarked face and a black glove on one hand. It looked to Thorson as though he was missing two fingers. His name was Major Graham and he had served in the US Military Intelligence Division for many years. With him was his opposite number from British intelligence, who had been consulting the records for any mention of Rudolf Lunden in the period immediately after the invasion. He was somewhat younger than Major Graham and disfigured by a burn that extended from his neck up one side of his face, leaving only a stump of an ear. He had transferred to intelligence after sustaining serious injuries when his plane came down. His name was Ballantine – like the whisky, he said as he introduced himself, adding that he was no relation. The smile that accompanied this remark was more like a grimace. Thorson got the impression that the joke had grown
rather stale.

‘Why would an Icelander be carrying a suicide pill?’ asked
Major Graham. ‘Hidden in a suitcase, you said?’

Sailing out of Reykjavik harbour

THE SHADOW KILLER GIVEAWAY!

We have two copies of The Shadow Killer to give away (UK readers only on this occasion…)

Just pick the correct answer to the question below and pop it in a comment below. The draw will close at midnight on Monday 19th March; I’ll contact you directly if you’re one of the lucky winners!

Question: What’s the name of the dour Icelandic murder detective in Arnaldur Indriðason’s first series?

A) Gylfi Þór Sigurðsson

B) Katrín Jakobsdóttir

C) Erlendur Sveinsson

D) Halldór Kiljan Laxness

E) Yrsa Sigurðardóttir

🙂

Have yourself a merry little Christmas… Mrs Peabody’s 2017 recommendations

Here are Mrs. Peabody’s Christmas recommendations for 2017. Drawing on my top reads of the year, this list should contain something to suit even the most well-read crime fiction lover in your life. And don’t forget to treat yourself while you’re at it!

All available from a wonderful independent bookshop near you…

Masako Togawa, The Master Key, trans Simon Cove (Pushkin Vertigo 2017, JAPAN)

Masako Togawa was born in Tokyo and led a rich life as a writer, cabaret performer, nightclub owner and gay icon. The Master Key, her debut, was first published in 1962 and won the Edogawa Rampo Prize. Set in the K Apartments for Ladies (an apartment block similar to the one where the author herself was raised), this off-beat crime novel features an intriguing set of characters – mainly single women hiding secrets, some benign and some criminal. The theft of the master key to all the apartments sets off a sequence of events that disturbs everyone’s equilibrium and risks triggering further crimes. Rich character studies, a 1950s Japanese setting and an original, twist-laden plot deliver high levels of reader satisfaction. Hats off to Pushkin Vertigo for republishing this vintage gem, and to translator Simon Cove for his polished handling of the text. Another Togawa novel, The Lady Killer, is due out next year.

Gunnar Staalesen, Where Roses Never Die, trans. Don Bartlett (Orenda Books 2016, NORWAY)

Where Roses Never Die is the winner of the 2017 Petrona Award. It’s the sixth novel of the famous ‘Varg Veum’ P.I. series to be out in English (set in Bergen on the west coast of Norway), but can easily be read as a standalone. We join private investigator Veum at rock bottom, wallowing in grief and drink, and about to take on a case that will push him to his limits – a cold case whose legal expiry date is drawing near, and which involves the unsolved disappearance of a small girl in 1977. The novel is an elegant fusion of American P.I. conventions and Scandinavian social analysis, but what I really liked was the way the narrative took the reader in an unexpected direction towards the end, delivering an original and convincing denouement.

Thomas Mullen, Darktown (Little, Brown 2016, USA)

Set in Atlanta, Georgia in 1948, Darktown is a murder mystery that also explores a key moment in the city’s history – the first ever induction of eight African American police officers into the Atlanta Police Department. The murder of a young black woman sees two sets of policemen come into uneasy contact with one another: black policemen Lucius Boggs and Tommy Smith, and white policemen Lionel Dunlow and Denny Rakestraw. Each of their characters is superbly delineated, and adeptly used to unsettle racial stereotypes and easy assumptions. The novel is also a stunning portrait of post-war Atlanta, and opens the reader’s eyes to the dangerous and wearing realities of living in a society where racism is deeply ingrained in all areas of life. An excellent, satisfying read (full Mrs P review here). The second novel in the series Lightning Men, is just out.

Kati Hiekkapelto, The Exiled,  trans David Hackston (Orenda Books 2016, FINLAND)

The Exiled, shortlisted for the 2017 Petrona Award, is the third in the ‘Fekete’ series to be published in English, but makes a good standalone due to its atypical setting – Serbia rather than Finland. We join Finnish police detective Anna Fekete as she visits the Serbian village of her birth to see family and take a holiday. But the discovery of a body pulls her into an investigation that raises a number of questions about her own father’s death decades earlier. As well as exploring the complexities of Fekete’s identity as a Hungarian Serb who has made her life in Finland, this accomplished novel looks with insight and compassion at the discrimination faced by Roma people, and the lot of refugees migrating through Europe.

John le Carré, A Legacy of Spies (Penguin 2017, UK)

As a die-hard le Carré fan, I savoured every word of A Legacy of Spies. The novel opens in the present day, and shows Peter Guillam, George Smiley’s loyal right-hand man, being pulled out of retirement to justify his own and other British Secret Service agents’ actions during the Cold War. Of particular interest are the events surrounding the death of an agent and an innocent civilian – events that will immediately be familiar to readers of The Spy who Came in from the Cold. Not only does le Carré pull off the elegant closing of a literary circle – The Spy was his first major success in 1963 – but he also stays true to his core themes: the moral price and human cost of (maybe) safeguarding the nation. A must for any le Carré fan who hasn’t yet read it. And if your reader has not yet had the pleasure of entering le Carré’s world, then why not treat him or her to The Spy who Came in from the Cold and Tinker Tailer Soldier Spy as well (to be read in that order before Legacy).

Jane Harper, The Dry (Little, Brown/Abacus 2017, UK/AUSTRALIA)

The Dry is set in Kiewarra, a small farming community a few hours from Melbourne in south-eastern Australia, which for the past two years has experienced a horrendous drought and sustained financial pressure. Even so, the town’s residents are stunned when Luke Hadler, a respected local farmer, kills his wife and six-year-old son before turning the shotgun on himself. Luke’s childhood friend, Federal Police investigator Aaron Falk, returns to Kiewarra for the funerals, and reluctantly begins to look into the case…and to confront his own troubled relationship with the town. This novel was one of my absolute top reads of the year. The characterization is excellent, the plot is outstanding, and the landscapes and searing heat are brought vividly to life. A gripping police procedural and the first in a series. See the full Mrs P. review here.

Antti Tuomainen, The Man Who Died, trans David Hackston (Orenda Books 2017, FINLAND)

The Man Who Died is a joy from start to finish. It opens with a doctor telling a man he has been systematically poisoned, and that the end is just a matter of time. That man is Jaakko Kaunismaa, a 37-year-old from the small Finnish town of Hamina, who together with his wife Taina exports pine or matsutake mushrooms to the Japanese. Placed in a truly grave situation, Jaakko has to figure out what to do very quickly. The easiest course of action would be for him to give up, but instead he decides to investigate his forthcoming murder with admirable pluck and determination. Comparisons have rightly been drawn between the novel and Fargo: this is a stylish crime caper with lashings of black humour and a lot of heart. A special word of praise too for David Hackston, who also translated The Exile (above). He captures the off-beat humour of the novel perfectly.

Denise Mina, The Long Drop (Harvill Secker 2017, SCOTLAND)

Mina’s The Long Drop, based on the true case of Scottish rapist and murderer Peter Manuel, is a highly original re-telling of the circumstances leading up to his trial in a grimy, rough 1950s Glasgow. What makes the novel stand out is the originality of its storytelling, which expertly weaves together two narrative strands – a long night of drinking by Manuel and William Watt (the husband, father and brother-in-law of three of Manuel’s victims), and Manuel’s trial, which aroused lots of public interest. I found the book unexpectedly gripping, and the quality of the writing and characterization are sublime. Mina doesn’t shy away from describing Manuel’s horrific crimes, but her approach is never salacious, and she provides razor-sharp dissections of masculinity and class along the way.

Elisabeth Herrmann, The Cleaner, trans Bradley Schmidt (Manilla 2017, GERMANY) 

Elisabeth Herrmann’s The Cleaner is a polished, quirky German crime novel that features an outstanding protagonist, Judith Kepler. Judith is a prickly, awkward character who is extremely good at her job, which happens to be cleaning crime scenes for a specialist company in Berlin. As she cleans a flat following a particularly nasty murder, Judith unexpectedly comes across a clue to a mystery in her own East German childhood, and gets entangled in a potentially life-threatening situation. A hybrid detective novel, historical crime novel and thriller, The Cleaner is a gripping and highly engaging read with a wonderfully memorable lead. You may learn some handy cleaning tips along the way as well.

Arnaldur Indriðason, The Shadow District, trans Victoria Cribb (Harvill Secker 2017, ICELAND)

I’ve been a big fan of Indriðason’s ‘Erlendur’ series over the years, and so was delighted to hear that the first of his new ‘Reykjavik Wartime Mysteries’ is out in English. The Shadow District interweaves two stories, one from the wartime past and the other from the present. In the first, a young woman is found strangled in Reykjavik’s ‘shadow district’, a rough area of the city. Icelandic detective Flovent investigates the case together with Thorson, a member of the American military police. In the present, retired police detective Konrad gets sucked into the odd case of a 90-year-old man who has been found dead in his apartment. In the course of the narrative, the two timelines begin to overlap in various ways… An absorbing page-turner that doesn’t hesitate to break some genre conventions.

Wishing you all a very happy festive season!

CrimeFest 2017: Krimi panel, Petrona Award, American Noir, and Icelandic Queens of Crime

As ever, CrimeFest in Bristol was a four day extravaganza of goodness. Here are a few highlights.

First ever Krimi panel at CrimeFest

The four German authors on the Krimi panel – Mario Giordano, Merle Kröger, Volker Kutscher and Melanie Raabe – had never met before, but you’d never have known given the lovely dynamic between them. Each brought a very different kind of crime novel to the event, which made for fascinating and varied discussion.

Clockwise from top left: Mrs P, Melanie, Volker; Jens Boyer (Goethe-Institut London), Mrs P, Mario, Merle, Melanie, Volker; Jess (Mantle), Volker, Melanie, Mario, Merle, Mrs P; Merle and Mario.

Mario is the author of a comic crime novel with a serious edge – Auntie Poldi and the Sicilian Lions – which shows a recently widowed Aunt Poldi arriving in Sicily with the intention of drinking herself to death. Instead, she promptly becomes involved in a murder case and meets a handsome Sicilian police detective… Merle’s novel Collision is perhaps best described as a maritime thriller, and shows four vessels – a cruise liner, a refugee dingy, an Irish freighter and a Spanish rescue ship – crossing paths in the middle of the Mediterranean. Inspired by a short film shot by a cruise ship passenger, it has serious points to make about the refugee crisis and the negative effects of capitalism.

Volker writes historical crime novels – six in the ‘Gereon Rath’ or ‘Babylon Berlin’ series to date – which are set in Weimar Berlin and investigate (in part) the ways the Nazis came to power. The first novel is currently being adapted as a sixteen-part TV series by ARD/Sky, directed by Tom Tykwer, and will air this autumn. And Melanie presented her clever psychological thriller The Trap, which has done incredibly well for a debut, and is in the process of being made into a film by TriStar pictures. It features an intriguing protagonist – traumatised writer Linda Conrads – and explores the themes of grief, loss, isolation, madness and justice.

Erich the Bavarian duck was in attendance

Audience questions led to discussion of how the German authors work with their translators – Imogen Taylor, Niall Sellar, John Brownjohn, and Rachel Hildebrandt/Alexandra Roesch – and there was lavish praise for the very skilled work that they do. The authors also recommended some of their favourite Krimi writers, including Doris Gercke (‘Bella Block’ series, set in Hamburg), Jan Costin Wagner (‘Kimmo Joentaa’ series, set in Finland), Bernhard Aichner (Woman of the Dead, set in Austria) and Simone Buchholz (Blue Night, currently being translated by Rachel Ward for Orenda Books, set in Hamburg).

Thanks once again to our sponsors for making this very special event happen!

2017 Petrona Award

Saturday night at CrimeFest is always a special occasion for the Petrona team, as it’s when we announce the winner of the Petrona Award. This year the award went to Norwegian author Gunnar Staalesen for his crime novel Where Roses Never Die, translated by Don Bartlett and published by Orenda Books.

Here’s what we said about Where Roses Never Die when we announced the shortlist: ‘Grieving private detective Varg Veum is pushed to his limits when he takes on a cold case involving the disappearance of a small girl in 1977. As the legal expiry date for the crime draws near, Veum’s investigation uncovers intriguing suburban secrets. In what may well be the most accomplished novel in a remarkable series, the author continues to work in a traditional US-style genre, but with abrasive Scandi-crime social commentary very much in evidence.’

Both Gunnar and Don Bartlett were at CrimeFest to accept and enjoy the award, and Gunnar paid touching tribute to his ‘perfect translator’ in his acceptance speech. Congratulations must also go to the other shortlisted authors for their wonderful crime novels – gems one and all. Sincere thanks as well to our Petrona Award sponsor, David Hicks, for his generous support.

From left: Gunnar accepting the Petrona Award, flanked by Sarah Ward, Barry Forshaw, Jorn Lier Horst (last year’s winner) and Adrian Muller; Barry, Gunnar, Karen Sullivan of Orenda Books, Don Bartlett, Sarah Ward, Mrs P; Gunnar with Ewa Sherman

Other highlights for me included the American Noir panel, with C.J. Box (‘Joe Pickett’ series) and Bill Beverly (whose exceptional debut Dodgers has raked in prize after prize), and the Icelandic Queens of Crime panel, featuring Jónína Leósdóttir, Solveig Pálsdóttir, Lilja Sigurðardóttir and Yrsa Sigurðardóttir. All four talked very eloquently about their work and Iceland, and also made me want to invite them to a riotous and extremely fun dinner party.

A big thank you to the CrimeFest organisers for another cracker of a year.

Clockwise from top left: Mario Giordano; Barry Forshaw with the American Noir panellists; tea with Ewa and Jacky; Barry moderating the Icelandic Queens of Crime; last but not least – Ragnar Jonasson, Melanie Raabe and Hugh Fraser after their ‘Misfits and Miscreants’ panel.