Mina’s The Long Drop (Scotland), Broadribb’s Deep Down Dead (UK/USA), le Carré’s The Pigeon Tunnel (UK/world)

This ‘read exactly what you want to read’ thing is working out really well. Three crackers for you this week:

Denise Mina, The Long Drop (Harvill Secker, 2017)

First linesHe knows too much to be an honest man but says he wants to help. He says he can get the gun for them.

I’ve loved everything I’ve read by the supremely talented Scottish writer Denise Mina, and The Long Drop is no exception. Based on the true case of rapist and murderer Peter Manuel, it’s a highly original re-telling of the circumstances leading up to his trial and judicial reckoning, set in a grimy, rough 1950s Glasgow.

Often these kinds of literary/true crime hybrids will focus on ‘why and how’ a criminal came to carry out his or her crimes (see for example my recent review of Carrère’s The Adversary). Such approaches are often fascinating, but what makes The Long Drop stand out is the originality of its storytelling, which expertly weaves together two contrasting narrative strands. The first shows a long night of drinking by Manuel and businessman William Watt in various Glasgow bars and establishments. Watt is the husband, father and brother-in-law of three of Manuel’s murder victims, and meets Manuel in the hope of gaining a crucial piece of evidence. It’s a cat-and-mouse game with some genuine surprises, which also takes us on a tour of the ‘old’ Glasgow before the slum clearances and remaking of the city centre (you can trace their wanderings on the map on the inside cover). The second narrative strand explores Manuel’s trial and the public/media interest in the case. It’s equally fascinating, not least due to Manuel’s misguided decision to dispense with his legal representation and do the job himself.

I found the entire book unexpectedly gripping, and the quality of the writing and characterisation are sublime. Mina doesn’t shy away from describing Manuel’s horrific crimes, but her approach is never salacious, and she provides razor-sharp dissections of masculinity and class along the way. Highly recommended.

You can read an extract from the beginning of The Long Drop over at DeadGoodBooks.

Steph Broadribb, Deep Down Dead (Orenda Books, 2017)

First line: I open my eyes and the first things I see are the cuffs.

I’ve never been much good at dealing with Mild Peril. Even watching kids’ films like Finding Nemo, in which a small fish lurches from one mildly threatening situation to another, required the steadying hand of my small son. For that reason, I don’t tend to read thrillers packed with Major Peril. Every now and then, however, I’ll be tempted to throw caution to the wind, as was the case with Steph Broadribb’s Deep Down Dead. I’d heard Steph read an extract from the novel at Newcastle Noir, and liked the sound of her sassy heroine, Florida bounty hunter Lori Anderson, very much.

Deep Down Dead is a genuinely accomplished debut novel. Steph is a UK author, but convincingly pulls off a Stateside setting and dialogue, and famously shadowed a real bounty hunter as part of her research, in order to learn the trade first-hand. I love the character of Lori, a thirty-something single mother, whose need to pay off her nine-year-old daughter’s medical bills leads her to take the job of collecting a wanted man in West Virginia. Except the man turns out to be J.T., her old flame and mentor, and the lack of a babysitter means she has to take daughter Dakota along – into a less than child-friendly environment. Trouble quickly ensues. The dialogue is snappy, the action high-octane, and Lori’s dual identity as bounty hunter and parent makes her the ultimate multi-tasking mom – and a very likeable one at that. A wonderfully entertaining summer read.

John  le Carré’s The Pigeon Tunnel. Stories from my Life (Viking, 2016)

First lineThere is scarcely a book of mine that didn’t have The Pigeon Tunnel at some time or another as its working title.

I count myself as one of John le Carré’s biggest fans (see my appreciation here), so reading his memoir The Pigeon Tunnel was a treat of the highest order. The author has a reputation for being a brilliant raconteur, and the reading the book’s 38 chapters felt a bit like being at a dinner where the great man is holding court.

There are fascinating takes on key moments of Cold War history (West German Chancellor Adenauer’s failure to remove former high-ranking Nazis from post-war political structures; Russia before and after the collapse of Communism), wonderful anecdotes about actors and directors (Alec Guinness, Richard Burton, Sydney Pollack, Stanley Kubrick), stories about the people who inspired his characters (such as Yvette Pierpaoli, who became Tess in The Constant Gardener), and the extensive research trips for novels such as The Little Drummer Girl (resulting in a dance with Yasser Arafat). And of course, there are insights into the complex, murky world of spying, and in particular the Kim Philby case – the British intelligence officer who was unmasked as a Russian spy in 1963. The stories are by turns illuminating, moving and hilarious – I found myself laughing out loud a great deal, which wasn’t something I’d expected at all. If you’re a fan of le Carré, the memoirs really are a must-read.

I’m now keen to re-read some of le Carré’s novels, and to tuck into Adam Sisman’s biography of the author, which is waiting patiently for me on a shelf.

You can read an extract from The Pigeon Tunnel here, involving Alec Guinness, former Chief of the Secret Service Maurice Oldfield, and some authorial guilt. Other extracts are available from The Guardian here, both from The Pigeon Tunnel and the author’s novels (beautifully read by a cast of famous actors).

Thomson’s Ghost Girl (UK), Carrère’s The Adversary (France), The Handmaid’s Tale (Canada/US)

My TBR pile is well and truly out of control at the moment, so I’m going to have a reading blitz over the summer to reduce it as much as I can. My approach will be threefold: ruthlessly cull the books that don’t appeal to me (life is too short), read exactly the books I want to from the pile that is left, and write up a variety of short reviews for the blog. And, as is the case this week, I might add in the odd TV series or other random delight from time to time.

Lesley Thomson, Ghost Girl (Head of Zeus, 2014)

Opening line: ‘In the pale light the girl might be a ghost risen from one of the graves’.

I really liked the first in Thomson’s series, The Detective’s Daughter. It took me a little while to get into this second novel: slightly more signposting was needed at the beginning to help readers navigate the two timelines. However, I remained captivated by the character of Stella Darnell, the police detective’s daughter who picks up his unsolved cases after his death. Stella runs a cleaning agency and is more like her father than she would care to admit – her drive to restore order makes her a very tenacious and thorough investigator. In this case, a set of photos in her father’s cellar showing deserted London streets puts Stella on the trail of a murderer. Her investigative partner Jack Harmon is equally intriguing – a night-time tube driver whose life, in contrast to Stella’s, is governed by signs and intuition rather than rationality. Both are social misfits, but together they make a great team. Another strength of both books is Thomson’s depiction of the inner life of children and how they try to make sense of traumatic situations.

Emmanuel Carrère, The Adversary: A True Story of Monstrous Deception, translated from French by Linda Coverdale (Vintage, 7 July 2017 [2000]).

Opening line: ‘On the Saturday morning of January 9, 1993, while Jean-Claude Romand was killing his wife and children, I was with mine in a parent-teacher meeting at the school attended by Gabriel, our eldest son’.

Emmanuel Carrère is a well-known writer, who here dissects a highly disturbing true crime: Jean-Claude Romand’s murder of his wife, two children and elderly parents in 1993. The book is both an archaeological excavation of the events leading up to the murders and the multiple deceptions Romand wove over twenty years. While to his family and the outward world he appeared to be a respectable, well-to-do doctor working for the World Health Organisation, in reality he was nothing of the sort. Carrère effectively explores how Romand deceived and betrayed his family, and the ways in which his lies corroded his own identity, creating a terrifying void. Hard-hitting and thoughtful, but avoiding sensationalism, Carrère makes no excuses for the murderer’s mythomania and his attempts to escape the consequences of his crimes. A fascinating, but utterly chilling read.

The Handmaid’s Tale (Hulu/Channel 4), adapted from Margaret Atwood’s The Handmaid’s Tale (Vintage, 1996 [1985])

American viewers are ahead of us here in the UK, where the highly anticipated TV adaptation of The Handmaid’s Tale began to air last Sunday. The novel, of course, is not crime fiction, but ‘speculative’ fiction that portrays a theocratic America of the near future, and famously draws on a range of repressive historical examples (from seventeenth-century Puritan America to twentieth-century regimes such as Nazi Germany and Ceaușescu’s Romania). But the themes of crime and criminality are at the very heart of the novel: how totalitarian/ultra-religious states criminalise any form of dissent, and how in particular they police women’s behaviour, driving them out of the public sphere and back into a private space where their identity, sexuality and bodies are heavily controlled. In the process, of course, the state itself becomes criminal, because it is denying its citizens the most basic of rights. The novel has long been on my ‘most influential books of all time’ list, and the TV opener did a brilliant job of bringing its dystopian vision to life. Elisabeth Moss is outstanding as the narrator and central protagonist, Offred.

Here’s a wonderful recent essay on the novel by Margaret Atwood for the New York Times: ‘Margaret Atwood on What ‘The Handmaid’s Tale’ means in the Age of Trump’.

International delights at Newcastle Noir (plus my top three picks)

Crime fiction with plenty of laughter and cake: my first visit to Newcastle Noir at the beautiful Lit & Phil was a hugely enjoyable experience. This Geordie crime festival has been running just three years, but featured an impressive programme of 14 panels over two days (and that’s not counting the fringe events). All credit to organisers Dr. Jacky Collins (Northumbria University) and Kay Easson (The Lit & Phil) for creating such a vibrant and wonderfully friendly event.

Given the relatively modest size of the festival, I was struck by the high proportion of international writers who were there – thanks in no small part to Karen Sullivan at Orenda Books, who had ten authors with her, one of whom had flown in all the way from Australia. In order of appearance:

  • Lilja Sigurðardóttir (Iceland)
  • David Swatling (US/Netherlands)
  • Kjell Ola Dahl (Norway)
  • Thomas Enger (Norway)
  • Nina von Staffeldt (Denmark)
  • Antti Tuomainen (Finland)
  • Cay Rademacher (Germany/France)
  • Wulf Dorn (Germany)
  • Erik Axl Sund (aka Jerker Eriksson/Hakan Axlander Sundquist, Sweden)
  • Johana Gustawsson (France)
  • Camilla Grebe (Sweden)
  • Paul Hardisty (Canada/Australia)

And then there were a number of British crime authors who set their works in foreign climes: Steph Broadribb (‘Lori Anderson’ series, Florida), David Young (‘Karin Müller’ series, East Germany), William Ryan (‘Korolev’ series, 1930s Russia; The Constant Soldier, 1944 Germany), Luke McCallin (‘Reinhardt’ series, WWII Sarajevo and post-war Berlin), and Quentin Bates (‘Gunna’ series, Iceland).

The Newcastle Noir bookshop had a distinctly international flavour

A major highlight for me was chairing two ‘German’ panels: ‘German Historical Crime’ with Luke McCallin, William Ryan and David Young, and ‘German Noir’ with Wulf Dorn and Cay Rademacher. All the authors gave fascinating, thoughtful and eloquent answers to questions about writing historical crime fiction/psychological thrillers, their settings (1930s Russia; World War II Sarajevo and Germany; post-war Hamburg and Berlin; 1970s East Germany; present-day Germany), and the research they undertook while writing their works. Lizzy Siddal has posted a marvellous write up of the two panels over at Lizzy’s Literary Life – do take a look! And for further details of the authors and their works, see my post from last week.

From top left by row: the ‘German Historical Fiction’ panel; Cay Rademacher answers a question; GHF panel group photo; Cay, Mrs P and Wulf Dorn thank the Goethe-Institut London for its support; William Ryan reads from The Constant Soldier while Luke McCallin listens; the ‘German Noir’ panel; David Young and Wulf fostering Anglo-German relations; David reads from Stasi Wolf.

Here are my top three international crime fiction picks from Newcastle Noir – all by authors who are new to me:

Elisabeth Herrmann’s The Cleaner (translated by Bradley Schmidt; Manilla 2017). Elisabeth was the one who got away: she was due to appear on the ‘German Noir’ panel (replacing Sascha Arango), but was unable to make it due to problems with her flight. My consolation was reading The Cleaner, an extremely accomplished novel that features an outstanding protagonist, Judith Kepler. Judith works for a company that specialises in cleaning crime scenes, and comes across a clue to a mystery in her own East German childhood when she cleans a flat following a particularly nasty murder. A hybrid detective novel, historical crime novel and thriller, The Cleaner is a gripping and highly engaging read.

Luke McCallin’s The Man from Berlin (No Exit Press, 2014). I hadn’t read any of Luke’s work before being asked to chair the ‘German Historical Fiction’ panel, and was extremely impressed by The Man in Berlin, the first in the ‘Gregor Reinhardt’ series. Aside from the vast amount of historical research that’s gone into the novel, I particularly liked the unusual setting for a WWII series – Sarajevo of 1943. The city is beautifully evoked, and the complex politics of the time are deftly incorporated into the narrative (which is no mean feat). The novel sees conflicted military intelligence officer Reinhardt investigating the politically charged murder of a Yugoslav film star and a German military colleague.

Paul E. Hardisty, Reconciliation for the Dead (Orenda Books, 2017). Paul was on the ‘Action Thriller’ panel and is the author of the ‘Claymore Straker’ novels. While this is the third in the series, it can be read first, because it tells Straker’s origin story, focusing on his formative years as a soldier in the South African Army in the early 1980s. That narrative is framed by Straker’s return to Africa in 1996 to testify at the South African Truth and Reconciliation Commission. I hadn’t intended to buy this book, but after hearing Paul speak it became a must-read. I was particularly struck by the author’s willingness to present the novel as a serious attempt to get to the terrible truths of South African apartheid, and to depict them in as realistic and hard-hitting a way as possible. I’m two thirds of the way through the novel now, and can tell that it’s going to stay with me for a long time.

To finish off, here are some photos of beautiful Newcastle, the Lit & Phil, and some criminally minded friends. Looking forward to Newcastle Noir 2018 already…

With thanks to Susan at The Book Trail, Vic Watson at ElementaryVWatson, Ewa Sherman and other attendees for the use of some of these photos. 

New Year crime fiction treats from Denmark, England, Finland, France, Iceland, Norway and Sweden

Happy New Year to you all!

I hope that 2017 has started well and that you have lots of lovely crime fiction lined up as we move into a new reading year.

One of the truly splendid things about a crime blogger’s life is being sent lots of fantastic books. The picture below shows my postbag for the last month, which contains some mouth-watering delights.

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As these crime novels come from a variety of publishers, it’s interesting to see how the contents of individual parcels combine. Quite a number in this consignment are entries for the 2017 Petrona Award, which I help to judge along with Barry Forshaw, Sarah Ward and Karen Meek. This explains the high ratio of Scandi crime, including novels by Norwegian crime writing stars Anne Holt (special guest at last year’s CrimeFest) and Karin Fossum. The latter’s ‘Inspector Sejer’ novel The Drowned Boy (Harvill Secker, tr. Kari Dickson) was shortlisted for the 2016 Petrona Award.

Another Petrona entry that’s particularly caught my eye is Finnish author Kjell Westö’s The Wednesday Club (MacLehose, tr. Neil Smith). This novel originally appeared in Swedish (one of Finland’s official languages), is set in Helsinki in 1938, and explores the legacy of the Finnish Civil War. Two of the other novels are set around that time as well (both from Harvill Secker): Danish author Simon Pasternak’s Death Zones (tr. Martin Aitkin / Belorussia in 1943) and Arnaldur Indriðason’s The Shadow District (tr. Victoria Cribb / wartime Reykjavík). The latter is a proof copy and a very exciting bit of post, as it marks the beginning of a new series from this outstanding author (pub. April 2017).

Ragnar Jónasson’s Rupture (Orenda, tr. Quentin Bates), the latest in the ‘Dark Iceland’ series, is also one I’m very much looking forward to reading: it features a cold case from 1955, which sounds right up my street. Other delights include the latest Eva Dolan and Fred Vargas novels (Harvill Secker), Watch Her Disappear and A Climate of Fear (tr. Siân Reynolds). Both Dolan and Vargas are excellent writers, albeit with extremely different styles and authorial concerns.

Lastly, there’s been quite a lot of talk about Erik Axl Sund’s The Crow Girl (Harvill Secker, tr. Neil Smith). It features a highly unusual female protagonist and is definitely not going to be a boring read…

So, that lot’s going to keep me busy for a while.

Which crime novels are you particularly looking forward to reading in January? 

Here comes Santa Claus! Mrs Peabody’s 2016 Christmas recommendations

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Barter Books’ 2016 Christmas tree (photo @Argot101)

It’s snowing again on WordPress, which means it’s time for some eclectic Christmas recommendations. These might be useful when gift shopping for the crime lover in your life…or for yourself if you need a little treat. Many are new to the blog (I’ve linked back to existing reviews), and have been picked on the basis that 1. they would make lovely presents and 2. be a good read during the festive season. Enjoy!

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Lesley Thomson, The Detective’s Daughter (Head of Zeus, 2013)

Stella Darnell runs a London cleaning agency called Clean Slate. When her estranged father Detective Chief Superintendent Terry Darnell dies, she discovers files relating to an unsolved case – the murder of young mother Kate Rokesmith – in the attic of his house. Gradually, against her better judgement, Stella finds herself being drawn into the investigation.

This is an ambitious, gripping and atmospheric novel. Stella’s a great creation – a prickly and emotionally guarded figure, whose professional thoroughness and tenacity make her more like her policeman father than she would care to admit. The stories of Kate’s murder in 1981 and her son Jonathan’s subsequent life – told in flashback – are also very well delineated. I particularly enjoyed the author’s observational gifts and the way she captures the small, sometimes absurd details of everyday life (‘Terry had died fifteen minutes after the parking ticket expired’).

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Hans Olav Lahlum, Chameleon People (trans. from Norwegian by Kari Dickson, Mantle, 2016 [2013])

It’s 1972. Norway is preparing for a referendum on its membership of the EEC, when Centre Party politician, landlord and businessman Per Johan Fredriksen is murdered in Oslo. A youth is apprehended with a bloody knife, but did he really do it? Inspector Kolbjørn ‘K2’ Kristiansen and Patricia Borchmann are once more on the case in this witty, beautifully written homage to Agatha Christie. There’s a cast of intriguing suspects, including a number of tricky ‘chameleons’, and an earlier, unsolved murder that may or may not be linked… You can read an extract from this hugely entertaining page-turner here.

Chameleon People is the fourth in the series, but works well as a standalone and would make a great-looking present (the hardback is lovely, with a bright orange flyleaf). Earlier installments, which I’d also recommend, include The Human Flies, Satellite People and The Catalyst Killing.

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Claudia Piñeiro, Betty Boo (trans. from Spanish by Miranda France, Bitter Lemon Press, 2016 [2011]

A Buenos Aires industrialist is found murdered at his expensive home in the gated community of Maravillosa. Author Nurit Iscar (nickname ‘Betty Boo’) is asked to cover the story by a national newspaper, and moves into the community to write a series of pieces from the scene. Before too long, she’s begun investigating the case, aided by a former colleague, the now rather jaded crime reporter Jaime Brena, and her friends.

Piñeiro is South America’s bestselling crime writer, and this novel is an excellent standalone with wonderfully realised characters. A scathing dissection of the fortress lives the rich build for themselves, Betty Boo is also a warm, humorous tribute to the importance of friendships in middle age.

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Leif G.W. Persson, The Dying Detective (trans. from Swedish by Neil Smith, Doubleday, 2016 [2010])

The opening of The Dying Detective shows Lars Martin Johansson, a retired Swedish Police Chief, suffer a stroke after a lifetime of unhealthy excess. Frustrated by his physical limitations and slow recovery, he’s drawn into investigating a cold case, the murder of nine-year-old Yasmine Ermegan in 1985. Before long, he’s assembled a team of old police contacts and lay-experts to help him crack the crime.

On the face of it, this novel doesn’t sound very festive, given the state of our poor lead investigator’s health. But the narrative is strangely uplifting, and the plotting and writing are sublime. It’s one of my favourite novels of the year, and you can read the full review here.

Like Chameleon People, The Dying Detective is part of a larger series, but can definitely be read as a standalone. Earlier novels featuring Johansson include Between Summer’s Longing and Winter’s End and Another Time, Another Life. These are also marvellous, but have the feel of intricate political thrillers.

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P.D. James, The Mistletoe Murder and Other Stories (Faber & Faber, 2016)

P.D. James, queen of crime fiction, sadly died in 2014, but four of her Christmas stories – written between 1969 and 1996 – have now been gathered in this beautiful little hardback volume.

Not all writers are able to pull off the short story form, but P.D James does so with some style. Her deliciously dark morality tales involve a country-house Christmas gone wrong, an illicit affair, and two mysterious murders to test a young Adam Dalgliesh. The volume is a treat for all lovers of crime fiction, and has a forward by Val McDermid.

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Joe Flanagan, Lesser Evils (Europa Editions/World Noir, 2016)

Lesser Evils is one of those exceptional debuts that punches well above its weight. Set in the summer of 1957, in the quiet Cape Cod town of Hyannis, the novel uses its investigation into the murder of a young boy to provide an authentic portrait of a small coastal community. World War Two veteran and police chief Bill Warren is a likable, nuanced character, who does his best to deal with an extraordinary case while parenting a son with learning difficulties. This is noir with a heart; a beautifully written and highly absorbing tale.

Lesser Evils would make another good-looking present. Like all Europa Editions paperbacks, the novel has an attractive, sturdy cover and flyleaf.

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David Mitchell, The Thousand Autumns of Jacob de Zoet (Sceptre, 2010)

This historical novel opens in 1799 as young Dutchman Jacob de Zoet arrives at the Dejima trading post near Nagasaki to make his fortune with the Dutch East India Trading Company. While not explicitly a crime novel, a terrible crime does shape the narrative, and it also features an incredibly ingenious murder.

Mitchell spent four years writing the novel, and does a remarkable job of evoking life in Japan at a time when foreign contact was highly restricted and often deemed criminal. The depiction of the growing, sometimes illicit relationship between Europeans and the Japanese – mainly via translators and interpreters – is fascinating, and shows a gradual transfer of knowledge taking place (for example about midwifery techniques). The figure of Orito, a Japanese midwife constrained by the gender expectations of the time, is particularly well-drawn. A long, satisfying read with plenty of memorable characters, this novel will transport you to another time and place.

The Pigeon Tunnel: Stories from My Life - John le Carré (CNW Group/Penguin Random House Canada Limited)

John le Carré, The Pigeon Tunnel: Stories from My Life (Penguin, 2016)

This is the one I wish I’d read, but that got away, so I hope I’ll find under the Christmas tree *hint hint*. Here’s the tantalising blurb:

From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia, to Beirut on the cusp of the 1982 Israeli invasion, and to Russia before and after the collapse of the Berlin Wall, John le Carré has always written from the heart of modern times. In this, his first memoir, le Carré is as funny as he is incisive – reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he’s writing about the parrot at a Beirut hotel that could perfectly mimic machine gun fire, or visiting Rwanda’s museums of the unburied dead in the aftermath of the genocide, or celebrating New Year’s Eve with Yasser Arafat, or interviewing a German terrorist in her desert prison in the Negev, or watching Alec Guinness preparing for his role as George Smiley, or describing the female aid worker who inspired the main character in The Constant Gardener, le Carré endows each happening with vividness and humour, now making us laugh out loud, now inviting us to think anew about events and people we believed we understood. Best of all, le Carré gives us a glimpse of a writer’s journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.

You’ll find an extract and lots of related content here.

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Deutschland 83 (Universal Pictures UK, 2016; German with English subtitles)

This Cold War spy drama was one of my stand-out viewing experiences of 2016, and went down extremely well with UK audiences (better than in Germany, in fact).

Jonas Nay stars as young East German border-guard Martin Rausch, who is blackmailed by the Stasi into spying for West German military secrets. How will he fare, and will he manage to resist the seductions of a capitalist lifestyle? Written by Anna and Jörg Winger, a talented German/American husband-and-wife team, D83 is a genuinely thrilling ride that provides a brilliant portrait of Cold War tensions in 1983. It’s also very funny, with a killer 80s soundtrack.

See my review of the entire series here (warning – spoilers!)

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The Library Suicides [Y Llyfrgell] (Soda Pictures, 2016; Welsh with English subtitles; based on the novel by Fflur Dafydd)

The Library Suicides stars Catrin Stewart (Jenny in Doctor Who) as twin sister librarians Nan and Ana. Following the apparent suicide of their mother, famous author Elena Wdig, they become convinced that she was murdered by her biographer Eben. The film plays out over a long and bloody night in the National Library of Wales as they seek their revenge.

This clever, stylish thriller would make perfect Christmas viewing. The film moves seamlessly from high tension, as the twins track Eben through dark corridors, to laugh-out-loud black comedy, and makes ingenious use of the library’s secret spaces as a setting. As well as exploring the effects of grief and loss, the film examines the ways in which we remember, create and tell stories about ourselves, and the effects these stories have on others.

You can read a fuller review of the film and a Q&A with Fflur here.

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If you’re looking for further ideas or inspiration, then I can heartily recommend the following publisher websites. All have lots of excellent international crime fiction on offer.

Bitter Lemon Press

No Exit Press 

Orenda Books

Europa Editions

Wishing you all a very happy festive season!

Scandi Xmas

Source: littlescandinavian.com

Eva Dolan’s After You Die (UK), Val McDermid’s Out of Bounds (UK) and Iceland Noir 2016

My reading mojo has been largely restored courtesy of two fine British authors, Eva Dolan and Val McDermid.

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Eva Dolan After You Die (Vintage 2016)

After You Die is the third novel in Dolan’s ‘DI Zigic and DS Ferreira’ series. Like its predecessors, it’s a skilfully crafted police procedural set in Peterborough, and features a hard-hitting crime: the murder of a woman, Dawn Prentice, and the possible murder of her severely disabled daughter, Holly. Dolan uses the investigation to explore a number of weighty issues, such as hate crimes, internet abuse and right-to-die debates, but does so with a deft touch, so that readers never feel like they’re being lectured. The characterisation of the Hate Crimes team and its suspects is also excellent – there’s lots of beautifully observed, authentic detail that grounds these figures in a recognisable reality. The development of DS Ferreira’s character after the events of the previous novel, Tell No Tales, is particularly good.

If you’re new to this series, you might like to start with the opening novel, Long Way Home, which is a very accomplished debut.

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Val McDermid, Out of Bounds (Little Brown, 2016; Whole Story audiobook narrated by Cathleen McCarron)

Out of Bounds is the fourth book in the ‘DCI Karen Pirie’ series, set in Edinburgh and Fife. I haven’t read the others yet, having dived in to this one by chance, but am now very keen to do so (the first is The Distant Echo).

Detective Chief Inspector Pirie, who heads up Police Scotland’s Historic Crimes Unit, is tenacious, resourceful and prepared to bend the rules in the service of justice. Her job is to review cold cases when new evidence comes to light – such as when a teenage joyrider’s DNA profile links to DNA from a young hairdresser’s murder two decades earlier. In a parallel investigation, an odd-looking suicide leads Karen to examine an old murder that was presumed – possibly erroneously – to have been caused by an IRA bomb.

There were two aspects of this novel that I particularly enjoyed. The first was the depiction of a strong Scottish policewoman leading multiple investigations with aplomb – a nice counterpoint to Ian Rankin’s Rebus. While facing plenty of personal and professional challenges, Karen is kept going by a combination of her own determination and the support of close friends. (The emphasis on the importance of friendship reminded me a little of Claudia Piñeiro’s Argentinian crime novel Betty Boo). The second was the plotting masterclass McDermid provided as she moved effortlessly between the developments in the individual cases while maintaining a clear, unified narrative. I remember hearing the author argue, in a debate on crime fiction vs ‘high literature’, that plotting is a skill that is often underestimated and overlooked, and think her point is beautifully made in this novel.

One extra thought: I listened to the audiobook version, expertly narrated by Cathleen McCarron. I think that this added to my enjoyment of the book, because it allowed me to hear and appreciate the novel’s Scottish inflections and turns of phrase.

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As it happens, Val McDermid is one of the headliners at Iceland Noir 2016, which is taking place right now in Reykjavík (hope you’re all having a great time!). Val gave the convention’s opening address on Thursday evening – as reported here by CrimeFictionLover – in which she rightly asserted that ‘there ain’t no cure for loving crime fiction’. 

You can check out Iceland Noir’s programme here and its featured authors here. It’s a great convention and I would thoroughly recommend going. Hope to make it in 2018!

If you’re new to Icelandic crime, here are some earlier Mrs Peabody posts on the subject:

Indriđason’s The Draining Lake

Sigurðardóttir’s Why Did You Lie?

Icelandic TV drama Trapped

Quentin Bates interview about his ‘Gunnhildur (Gunna) Gísladóttir’ series

Ragnar Jónasson’s ‘Dark Iceland’ series – translation special

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Heading out to sea from Reykjavík harbour, 2014

The Library Suicides (Wales) & 2016 CWA Dagger Awards

One great plus of this decade’s Scandi crime-drama boom has been getting Brits into subtitled international crime drama from Europe and beyond. In recent years, this trend has also fuelled the success of Welsh-language crime drama Y Gwyll (Hinterland), which has been deftly exported back to a number of European countries.

Welsh-language thriller The Library Suicides (Soda Pictures, 2016) is enjoying similar success. Adapted from Fflur Dafydd’s bestselling novel Y Llyfrgell (The Library) and directed by Euros Lyn (Doctor Who, Sherlock, Broadchurch, Happy Valley), it received the prize for ‘Best Performance’ at the Edinburgh International Film Festival and was nominated in the ‘Best Film’ category at the Oldenburg International Film Festival in Germany. I watched it on the big screen at Swansea’s The Taliesin this week and loved it. 

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The Library Suicides stars Catrin Stewart (Jenny in Doctor Who) as twin sister librarians Nan and Ana. Following the apparent suicide of their mother, famous author Elena Wdig, they become convinced that she was murdered by her biographer Eben. The film plays out over a long and bloody night in the National Library of Wales as they seek their revenge.

This stylish, clever thriller had me gripped from the outset. The twins are superbly played by Catrin Stewart, with a fantastic supporting cast – especially spliff-smoking night porter Dan (Dyfan Dwyfor). The film’s tone moves seamlessly from high tension, as the twins track Eben through dark corridors, to laugh-out-loud black comedy, and makes ingenious use of the library’s secret spaces as a setting. As well as exploring the effects of grief and loss, the film examines the ways in which we remember, create and tell stories about ourselves, and the effects these stories can have on others.

Click here to see a clip.

After the film, there was an illuminating Q&A with writer Fflur Dafydd, who is also a lecturer in creative writing at Swansea University. She talked about the six-year process of getting the adaptation made with various partners including BBC Films, and the kinds of compromises that are required of the writer along the way. For example, while the film is clearly based on the book, some core elements were changed (the film is set in the present rather than the future), and the experience of the director and production team sometimes guided decisions – such as cutting certain scenes in order to maintain the pace of the film.

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Writer Fflur Dafydd and director Euros Lyn

Fflur also spoke about the reception of the film in different places. In Edinburgh, audiences had viewed it primarily as a thriller rather than as a Welsh-language film, while in Germany, there was a positive response to hearing Welsh for what was probably the first time. The English title was extended in translation from The Library to The Library Suicides for commercial reasons – and as a nod to the novel The Virgin Suicides.

The Library Suicides is available to pre-order on DVD (in Welsh with English subtitles)

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The CWA (Crime Writers’ Association) Dagger Awards were held last night at a swanky gala dinner in London. Here are the winners – many congratulations to them all!

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Goldsboro Gold Dagger for the best crime novel of the year – Bill Beverly, Dodgers (USA, No Exit Press). The story of a young LA gang member named East, who is sent by his uncle, along with some other teenage boys, to kill a key witness hiding out in Wisconsin.

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Ian Fleming Steel Dagger for the best crime thriller of the year – Don Winslow, The Cartel (USA, William Heinemann). A powerful account of the drug wars in early 2000s Mexico. 

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John Creasey New Blood Dagger for the best debut crime novel – Bill Beverly, Dodgers (USA, No Exit Press). A double winner! See above.

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International Dagger for crime fiction translated and published in the UK – Pierre Lemaître, The Great Swindle, trans by Frank Wynne (France, MacLehose Press). This novel opens with murder in the last days of the Great War and continues in peace-time with profiteering, criminal negligence, cooked books and a spectacular fraud.

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Non-Fiction Dagger – Andrew Hankinson, You Could Do Something Amazing With Your Life (You Are Raoul Moat) (Scribe)

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Dagger in the Library to the author of the most enjoyed collection of work in libraries – Elly Griffiths, author of the ‘Dr Ruth Galloway’ series of forensic archaeology mysteries and the ‘Stephens & Mephisto’ series. (Quercus)

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Author Elly Griffiths

Short Story Dagger for a short crime story published in the UK – John Connolly, On the Anatomization of an Unknown Man (1637) by Frans Mier from Nocturnes 2: Night Music (Hodder and Stoughton)

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Debut Dagger for unpublished writers – Mark Brandi, Wimmera (Australia). Fab is haunted by a terrible secret. A chance discovery threatens to uncover his past, and expose the dark underbelly of Australian rural life.

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Endeavour Historical Dagger for the best historical crime novel – David Young, Stasi Child (Twenty7Books), which is set in East Germany in the 1970s. Oberleutnant Karin Müller is summoned to the Berlin Wall to investigate the death of a girl who has apparently been shot trying to cross the wall… from the West.

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Diamond Dagger for outstanding achievement – Peter James, the author of the much loved ‘Roy Grace’ series.

Further information about the shortlisted books and winners is available at the CWA website.

Extensive re-run of BBC Radio 4’s ‘Foreign Bodies’ crime fiction series on now!

Thanks to Andy Lawrence for spotting that BBC Radio 4 is re-running episodes from Mark Lawson’s excellent ‘Foreign Bodies’ crime fiction series on BBC Radio Four extra and BBC iPlayer Radio. Most episodes will be available online for a month following broadcast, and offer 15-minute opportunities to delve into the work of key crime writers and traditions from around the world.

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The ‘Foreign Bodies’ series are close to my heart for their celebration of international crime fiction, their focus on some of our most interesting detective figures, and their analysis of how crime fiction is used to explore important political and social issues. I was also lucky enough to contribute to two episodes in Series 1 – on the works of Friedrich Dürrenmatt and Jakob Arjouni respectively.

Here’s a list of the ‘Foreign Bodies’ programmes you can listen to via BBC Radio iPlayer, either now or in the coming days. If you’re looking for some gems to add to your reading list, then these programmes are definitely for you.

Series 1, Episode 1  Belgium: Hercule Poirot and Jules Maigret (Agatha Christie and Georges Simenon)

Series 1, Episode 2  Switzerland/Germany: Inspector Bärlach (Friedrich Dürrenmatt… with a contribution from Mrs Peabody)

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Series 1, Episode 3  Czechoslovakia: Lieutenant Boruvka (Josef Skvorecky)

Series 1, Episode 4  The Netherlands: Commissaris Van Der Valk (Nicolas Freeling)

Series 1, Episode 5  Sweden: Inspector Martin Beck (Maj Sjöwall and Per Wahlöö)

Series 1, Episode 6  UK: Commander Dalgliesh/Chief Inspector Wexford (P.D. James and Ruth Rendell)

Series 1, Episode 7  Sicily: Inspector Rogas (Leonardo Sciascia)

Series 1, Episode 8  Spain: PI Pepe Carvalho (Manuel Vázquez Montalbán)

Series 1, Episode 9  UK: DCI Jane Tennison (Linda La Plante)

Episodes 10 to 15 are not yet listed as available, but they may well be soon – I’ll update if so (these include Montalbano/Italy, Kayankaya/Germany, Rebus/Scotland, Wallander and Salander/Sweden, Harry Hole/Norway and Fandorin/Russia).

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Series 3, Episode 1  Cuba: an exploration of fictional investigations of Cuba after the Castro revolution with Leonardo Padura, author of The Havana Quartet, and Caroline Garcia-Aquilera, a Cuban-American writing from exile in Miami.

Series 3, Episode 2  USA: Laura Lippman and Walter Mosley, the creators of private eyes Tess Monaghan and Easy Rawlins, discuss how they introduced the experience of women and black Americans into crime fiction dominated by men and a McCarthyite fear of outsiders.

Series 3, Episode 3  Poland: Zygmunt Miloszewski and Joanna Jodelka reflect on how Polish crime fiction depicts the country’s occupation by Nazis and Communists, the transition to democracy through the Solidarity movement and lingering accusations of racism and anti-Semitism.

Series 3 Episode 4  Australia: Australia’s leading crime novelist, South African-born Peter Temple, discusses depicting a society shaped by both British colonialism and American power, and why Australian crime fiction should contain as few words as possible.

Series 3 Episode 5  Nigeria: Writers Helon Habila and C.M. Okonkwo discuss how a flourishing new tradition of Nigerian crime fiction explores British legacy, tribal tradition and the new “corporate colonialism” as global companies exploit the country’s mineral reserves.

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Mark Lawson’s article on the first ‘Foreign Bodies’ series is also available via The Guardian: ‘Crime’s Grand Tour: European Detective Fiction’.

TV crime drama (Deep Water & McMafia) and John le Carré’s The Pigeon Tunnel

Two TV crime dramas in the pipeline have recently caught my eye.

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Noah Taylor in Deep Water (photo Sean O’Reilly/SBS)

Deep Water (BBC Four)

From the BBC press release: ‘A gripping four-part crime drama set in contemporary Australia, the series is inspired by the unsolved gay-hate crime epidemic that swept through Sydney in the 80s and 90s, known as the Bondi Beach Murders.

The drama unfolds after detectives Tori Lustigman and Nick Manning are assigned a brutal murder case. They uncover evidence that suggests the killing is connected to a spate of unexplained deaths, ‘suicides’ and disappearances throughout the 80s and 90s. Is this the result of shoddy police work, indifference, or something far more sinister?’

The series stars Noah Taylor as detective Nick Manning; Yael Stone as detective Tori Lustigman; William McInnes as Inspector Peel; Daniel Spielman as Rhys; and Danielle Cormack as Brenda. It’s a Blackfella Films production for SBS Broadcasting Australia, Screen Australia & Screen New South Wales. Transmission date to be confirmed, but probably in the autumn.

There’s a bit more info in this Guardian article by Steph Harmon.

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McMafia (BBC One)

From the BBC press release: ‘Inspired by Misha Glenny’s bestselling book McMafia – a hard-hitting look at global crime – Hossein Amini and James Watkins have created a thrilling international crime drama that centres on one family in London.

James Norton (War & Peace, Happy Valley) will play the lead, Alex Godman, the English-raised son of Russian exiles with a mafia past. 

McMafia charts Alex’s journey through a terrifying labyrinth of international criminals, money launderers, corrupt politicians and ruthless intelligence agencies. He finds himself embroiled in an underworld that stretches from London to Moscow, Dubai to Mumbai, Africa to the Americas; a battleground where Mexican cocaine cartels compete with Pakistani drug lords, Balkan smugglers and the Russian Mafia itself. What starts out as a story of survival and revenge becomes an epic tale of a man’s struggle against the lures of corruption in the modern world and in himself.

This fast-paced thriller is epic and intimate, glamorous and gritty, global in scale and forensic in detail. It delves into how, with the rise of globalization, the corporate has become criminal and the criminal corporate and how, driven by the global demand for cheap products, everyone is complicit in some way.

The writing team includes David Farr (The Night Manager, Spooks, Troy – Fall Of A City), Peter Harness (Doctor Who, Wallander, Jonathan Strange & Mr Norrell) and Laurence Coriat (Wonderland, Me Without You).’ Cuba Pictures. Transmission date tbc.

The Pigeon Tunnel: Stories from My Life - John le Carré (CNW Group/Penguin Random House Canada Limited)

The Pigeon Tunnel: Stories from My Life – John le Carré (Penguin)

Regular readers of this blog will know that I’m a huge John le Carré fan (see my post ‘In praise of John le Carré‘), so I’m delighted that his autobiography The Pigeon Tunnel: Stories from my Life is now out with Penguin. Stacks of fabulous content has been released to promote the book, including an extract, readings from le Carré’s works by actors such as Rachel Weisz, and fantastic TV interview snippets. My favourite insight from the author so far: conflict makes for a good story (thus ‘the cat sat on the mat’ is not a promising start, whereas ‘the cat sat on the dog’s mat’ is).

le Carré will be reading extracts from The Pigeon Tunnel on BBC Radio 4 from Monday 12 September in the ‘Book of the Week’ slot.

Review of Sarah Ward’s A Deadly Thaw (UK)

Writing second novels is often difficult, but Sarah Ward makes it look easy. A Deadly Thaw, which was published by Faber & Faber on 1. September, is the sequel to In Bitter Chill, and sees Detective Inspector Francis Sadler and his team investigating another disturbing and fascinating case…

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Here’s the cover blurb to whet your appetite:

‘2004: In Bampton, Derbyshire, Lena Fisher is arrested for suffocating her husband, Andrew.

Spring 2016: A year after Lena’s release from prison, Andrew is found murdered in a disused mortuary.

Who was the man Lena killed twelve years ago and why did she lie about his identity? When Lena disappears, her sister Kat follows a trail of clues….’

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I was lucky enough to receive an advance copy of A Deadly Thaw, and had a very similar reading experience to In Bitter Chill:  I found the novel nearly impossible to put down and devoured the whole thing in two sittings. I was also struck again by the distinctiveness of Sarah’s authorial voice and her approach to crime writing. I’ve tried to dissect this a little and think it’s the following elements, in combination, that set her works apart for me:

A police procedural with a twist. While strong elements of the police procedural are visible in A Deadly Thaw, a significant portion of the narrative explores events from the perspective of individuals caught up in the case – especially sisters Lena and Kat. I really like this varied focus and the 360-degree view of the case it provides.

Strong, complex female characters. Lena (recently released from prison) and Kat (a therapist) are both extremely well drawn. Like In Bitter Chill’s Rachel, they are complicated individuals shaped by past experiences, and (like most of us) are sometimes flawed and make mistakes. I find myself liking these characters a lot, even when they don’t behave in an obviously likeable way. Policewoman Connie Childs is also given further depth and it’ll be interesting to see where her story goes.

A truly beguiling narrative. I think I’ve figured out why Sarah’s books are so hard to put down: it’s a combination of relatively short chapters with tantalising endings (hat-tip to Dickens) and alternating narrative strands that make the reader desperate to know more. At the same time, A Deadly Thaw is so much more than a simple page-turner. The novel explores substantial themes, such as gender, power and cultures of policing. It’s a stylishly plotted crime novel that’s gripping and thought-provoking in equal measure, and I’m already looking forward to number 3.

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