Here are Mrs. Peabody’s 2018 Christmas recommendations! Each is one of my top reads or views of the year, and will fit snugly into the Xmas stockings of all who’ve been good. Don’t forget to treat yourself, too!
Available from a wonderful local bookshop near you…
Jess Kidd, The Hoarder, Canongate 2018 (Ireland/UK)
The star of this highly original crime novel is Maud Drennen, newly appointed carer for ancient, belligerent hoarder Cathal Flood, who lives in a massive house in London and is the despair of social services. Both are Irish exiles and both have secrets to hide. There are mysterious disappearances, perplexing clues and dicey situations, not to mention a supporting cast of half-feral cats, an eccentric landlady and levitating saints. The novel has serious things to say about violence, family dysfunction, social isolation and old age, but is also deliciously irreverent (‘Renata is especially glamorous today, clad in an appliquéd romper suit and feathered mules’), and depicts its characters with warmth and heart. Its language is strikingly rich and expressive.
Joe Ide, IQ, Mulholland Books, 2016 (USA)
Joe Ide’s IQ, the first in the ‘Isaiah Quintabe’ series, was one of my most satisfying reads of the year. Taking inspiration from iconic detectives such as Conan Doyle’s Sherlock Holmes and Walter Mosley’s Easy Rawlins, the novel fuses classic crime with urban noir in its depiction of IQ, an unlicensed black Long Beach detective, and Dodson, his streetwise sidekick (“It’s a hustler’s world, son,” Dodson said, “and if you ain’t doing the hustlin’? Somebody’s hustlin’ you”). It’s a remarkably polished debut that tells an absorbing coming-of-age story while treating us to a cracking investigation bristling with intriguing characters. Inventive, ingenious and authentic, the novel is a moving study of resilience and of life on the rougher side of town, but is also outrageously funny in places. You can read my full review here).
Malin Persson Giolito, Quicksand, translated by Rachel Willson-Broyles, Simon & Schuster, 2017 (Sweden).
The very worthy winner of the 2018 Petrona Award (of which I’m a judge): “The judges were impressed by Quicksand’s nuanced approach to the subject of school shootings. Persson Giolito refuses to fall back on cliché, expertly drawing readers into the teenage world of Maja Norberg, who faces trial for her involvement in the killings of a teacher and fellow classmates. The court scenes, often tricky to make both realistic and compelling, are deftly written, inviting readers to consider not just the truth of Maja’s role, but the influence of class, parenting and misplaced loyalty in shaping the tragedy. Rachel Willson-Broyles’s excellent translation perfectly captures Maja’s voice – by turns vulnerable and defiant – as she struggles to deal with events.” A tough, but excellent read.
Mystery Road, dir. Rachel Perkins, Acorn Media 2008 (Australia)
Mystery Road is set in the arid town of Patterson in north-western Australia. When local worker Marley Thompson goes missing, Senior Sergeant Emma James (Judy Davis) calls in detective Jay Swan (Aaron Pedersen) to help her solve the case. As they form an uneasy alliance and the investigation unfolds, we’re shown not only how Marley’s disappearance impacts on his family and the local townsfolk, but how long-held secrets are shaping the events taking place. The drama provides viewers with a nuanced depiction of an Aboriginal community and packs genuine emotional punch. The cinematography is stunning, with aerial shots capturing the vast, harsh beauty of the outback. You can read my full review here.
Adam Sternbergh, The Blinds, faber & faber 2018 (USA)
An outstanding genre-defying fusion of thriller, whodunit and Western. The Blinds is a speck of a town in rural Texas, populated by criminals and witnesses who have their memories wiped as part of an experimental programme that allows them to ‘start over’. Sheriff Calvin Cooper has policed the town for eight years without major incident, but now suddenly has a suicide and murder on his hands. These bring outsiders to the town, all of whom have agendas that will play out in different ways in the days ahead. The novel tackles big themes – criminality, redemption, the role of memory in identity formation, what makes a proper community – but is also a thrilling rollercoaster ride. Beautifully written with fabulously inventive touches… such as the way the residents acquire their new names.
Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead, translated by Antonia Lloyd-Jones, Fitzcarraldo Editions 2018 (Poland)
Janina Duszejko, a reclusive sixty-something-year-old who’s obsessed with astrology and the poetry of William Blake (the source of the novel’s title), lives in a Polish village near the Czech border. When one of her neighbours is found dead, followed by a member of the local hunting club, she speculates that the animals they’re hunting are taking revenge, and decides to investigate. A quirky existential take on the Miss-Marple-amateur-sleuth model, Drive Your Plow has a distinctive narrative voice – as suggested by chapter titles such as ‘Now Pay Attention’ and ‘A Speech to a Poodle’, and caused a stir in Poland by daring to question its deeply rooted hunting culture. Plow has recently been adapted for film by acclaimed director Agnieszka Holland (titled Pokot; I’m keen to watch it soon).
Teresa Solana, The First Prehistoric Serial Killer and Other Stories, translated from the Catalan by Peter Bush, Bitter Lemon Press 2018 (Spain)
The First Prehistoric Serial Killer is a collection of freewheeling crime stories, whose narrators include a prehistoric caveman, protective mother-in-law, spoiled museum director, a vampire and a houseful of ghosts. Each story gives the author the chance to stretch her imagination to the full, with equal measures of crime, humour and the grotesque mixed into a tasty criminal cocktail. The second half of the book is particularly inspired – a set of eight Barcelona stories under the heading ‘Connections’. Readers are challenged to spot the links between the stories, which proves to be great fun. You can read my full review here.
Belinda Bauer, Snap, Black Swan/Penguin, 2018 (Wales/UK)
Belinda Bauer is a hugely original writer, who uses the crime genre to explore both intimate scenarios and big themes. Snap opens with the disappearance in 1998 of pregnant mother Eileen Bright, who leaves her broken-down car on the M5 to phone for help. In the car are her three young children, Jack, Joy and Merry, who gradually realise that their mum isn’t coming back. A grim scenario, but one that’s never gratuitously exploited by the author. Instead, she shows in human and sensitive detail what happens to the family – mainly from the children’s point of view. Jack’s fight to find out the truth of what happened that day and the brilliant depiction of a host of characters, including grumpy DCI Marvel, make for a compelling read. There’s some razor-sharp humour in the mix too. The novel was longlisted for this year’s Man Booker Prize.
Adam Roberts, The Real-Town Murders, Gollancz 2017 (UK)
A fabulous science fiction/crime mash-up. The novel opens with Alma, a private detective in a near-future England, investigating the discovery of a body in the boot of a car. It shouldn’t be possible for the body to be there, because the factory where the car has just been made is off-limits to humans. So how did the corpse wind up in the boot? This nifty locked-room mystery is set in a complex future world where an evolved version of the internet – the Shine – lures citizens into living almost completely virtual lives. The tension between the virtual and the real, and the political power struggles it creates, are explored in this stylish, high-octane murder mystery. One for anyone who’s ever been to Reading! You can read my full review here.
Posy Simmonds, Cassandra Darke, Jonathan Cape 2018 (UK)
This graphic novel, a modern-day reworking of Dickens’ A Christmas Carol, is an absolute delight. Our Scrooge is the eponymous Cassandra Darke, a disgraced London art dealer who is inadvertently drawn into a world of criminality…and possibly murder. This book would make an extremely handsome Christmas present, not only because of its author’s artistic and story-telling talents, but because it is so beautifully produced. Plus, it might be easier on the reading eye than a novel after a few glasses of Christmas plonk… You can read my full review here.
Wishing you all a wonderful and very merry Christmas!