Southern Cross Crime: 2017 Ngaio Marsh Awards & 2017 Ned Kelly Awards shortlists

My crime reading’s taken a bit of an antipodean turn recently, so the recent announcements of both the 2017 New Zealand Ngaio Marsh Awards shortlists and the 2017 Australian Ned Kelly Awards shortlists are very welcome. I’d like to get my hands on at least 10 of the books listed below – a mouthwatering selection.

Ngaio Marsh shortlist for BEST CRIME NOVEL:

  • Finn Bell, Pancake Money (ebook)
  • CJ Carver, Spare Me The Truth (Zaffre)
  • Jonothan Cullinane, Red Herring (HarperCollins)
  • Ben Sanders, Marshall’s Law (Allen & Unwin)
  • Fiona Sussman, The Last Time We Spoke (Allison & Busby)

Ngaio Marsh shortlist for BEST FIRST CRIME NOVEL:

  • Finn Bell, Dead Lemons (ebook)
  • Jonothan Cullinane, Red Herring (HarperCollins)
  • Gordon Ell, The Ice Shroud (Bush Press)
  • Simon Wyatt, The Student Body (Mary Egan Publishing)
  • Sue Younger, Days Are Like Grass (Eunoia Publishing)

Ngaio Marsh shortlist for BEST NON-FICTION CRIME (new category!):

  • Michael Bennett, In Dark Places (Paul Little Books)
  • Steve Braunias, The Scene of the Crime (HarperCollins)
  • Simonne Butler with Andra Jenkin, Double-Edged Sword (Mary Egan)
  • David Hastings, The Many Deaths of Mary Dobie (AUP)
  • Lucy Sussex, Blockbuster! (Text Publishing)

For an overview of all the shortlisted titles, as well as the judges’ comments, head over to the excellent Crime Watch blog

Ned Kelly shortlist for BEST CRIME FICTION:

  • Emily Maguire, An Isolated Incident (Pan Macmillan)
  • Candice Fox, Crimson Lake (Penguin)
  • Ann Turner, Out of the Ice (Simon & Schuster)
  • Adrian McKinty, Police at the Station and They Don’t Look Friendly (Allen & Unwin)
  • Wendy James, The Golden Child (HarperCollins)
  • Jock Serong, The Rules of Backyard Cricket (Text Publishing)

Ned Kelly shortlist for BEST FIRST CRIME FICTION:

  • Ron Elliot, Burn Patterns (Fremantle Press)
  • Holly Throsby, Goodwood (Allen & Unwin)
  • Anna Snoekstra, Only Daughter (Harlequin Books)
  • Andy Muir, Something for Nothing (Affirm Press)
  • Jane Harper, The Dry (Pan Macmillan). FAB! See my review here.
  • Laura Elizabeth Woollett, The Love of a Bad Man (Scribe Publications)

Ned Kelly shortlist for TRUE CRIME:

  • Colin Dillon with Tom Gilling, Code of Silence (Allen & Unwin)
  • Terry Smyth, Denny Day (Penguin)
  • Duncan McNab, Getting Away with Murder (Penguin)
  • Mark Tedeschi, Murder at Mile Creek (Simon & Schuster)
  • Duncan McNab, Roger Rogerson (Hachette)
  • Brendan James Murray, The Drowned Man (Echo Publishing)

For an overview of all the shortlisted titles, as well as the judges’ comments, head over to the Australian Crime Writers’ Association website.

P.S. Craig Sisterson, who convenes the judging for the Ngaio Marsh Awards, has been discussing the best way to tag New Zealand and Australian crime for international audiences. He and crime writer Emma Viskic have come up with Southern Cross Crime #southerncrosscrime. He says: ‘Sums things up nicely, as the Southern Cross is on both our flags, and a big thing in our part of the world’. I like it, Craig!

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Matsumoto’s A Quiet Place (Japan), Top of the Lake (NZ/Aus), Women in Translation Month

A crime novel, a TV series, and a tasty WIT Month list…

Seicho Matsumoto, A Quiet Place (trans. from Japanese by Louise Heal Kawai; Bitter Lemon Press, 2016 [1975]

First lineTsuneo Asai was on a business trip to the Kansai region when he heard the news.

Seicho Matsumoto (1909-1992) was a ground-breaking Japanese crime writer: his obituary in the Independent says that ‘he pushed the art of the detective story in Japan to new dimensions, depicting Japanese society with unprecedented realism’. His 1962 novel Inspector Imanishi Investigates was the second I ever reviewed on this blog, so it was a pleasure to return to his work with A Quiet Place, first published in Japan in 1975.

Tsuneo Asai is a respected government official working for the Ministry of Agriculture. While on a business trip to Kobe, he is informed that his wife Eiko has died of a heart attack. While in some ways this is not a surprise, as she had a heart condition, the location of her death is: a small shop in a Tokyo neighbourhood Eiko had no reason to frequent. We see a perplexed Asai take on the role of detective, trying to piece together the circumstances of his wife’s demise, until the narrative eventually takes a darker turn.

Gripping in spite of its leisurely pace, this existential crime novel provides intriguing insights into Japanese society at the time, such as the strong influence of giri – duty or social obligation (for more on this, see Harry Martin’s review for the Japan Society of the UK). The novel’s style also feels extremely fresh, thanks no doubt to Louise Heal Kawai’s excellent translation. A very satisfying read.

It’s been ages since I really got stuck into some TV crime drama, and I’ve become a bit daunted at all the riches on offer – there’s SO MUCH GOOD STUFF ON! But last week, I made a start on the second series of Top of the Lake: China Girl. I loved the opening series, directed by Jane Campion and starring Elisabeth Moss (review here), and the second very much picks up the themes and concerns of the first: misogyny and the exploitation of women on the one hand, and the complex figure of Detective Robin Griffin on the other, who is brilliant at her job but struggling emotionally.

The action has moved from New Zealand to Sydney in Australia, where Robin re-joins her old police unit and begins to connect with Mary, the daughter she gave up for adoption when she was 16. At the same time, Robin begins investigating the murder of a woman whose body is found in a suitcase washed up on Bondi beach. As ever, this is a hard-hitting, at times very bleak crime drama, with brilliant characterisation, acting and some stunning cinematography. One extra bonus is the presence of Nicole Kidman, who plays Mary’s adoptive mother – she apparently asked to be given a part after seeing the first series.

As you may already know, August is ‘Women in Translation Month’. The idea of this project is to shine a spotlight on all the wonderful literature by women that’s available in translation, and to encourage English-language publishers to translate lots more (numbers show that far fewer female authors are currently translated than male authors). Other initiatives such as the Warwick Prize for Women in Translation will hopefully help as well.

You can read more about WIT month at https://womenintranslation.com/. Twitter hashtags: #Ireadwomenintranslation and #WITmonth. 

Here are just a few fab crime novels by women in translation:

  • Ioanna Bourazopoulou, What Lot’s Wife Saw (trans. from Greek by Yiannis Panas, Black & White Publishing, 2013)
  • Petra Hammesfahr, The Sinner (trans. from German by John Brownjohn, Bitter Lemon Press, 2007)
  • Elisabeth Herrmann’s The Cleaner (trans. from German by Bradley Schmidt; Manilla 2017)
  • Kati Hiekkapelto, The Exiled (trans. from Finnish by David Hackston; Orenda Books, 2016)
  • Dominique ManottiAffairs of State (trans. from French by Ros Schwarz and Amanda Hopkinson; EuroCrime 2009).
  • Ingrid NollThe Pharmacist (trans. from German by Ian Mitchell, Harper Collins, 1999)
  • Claudia Piñeiro, Betty Boo (trans. from Spanish by Miranda France, Bitter Lemon Press, 2016)
  • Melanie Raabe, The Trap (trans. from German by Imogen Taylor; Mantle, 2016)
  • Agnes Ravatn, The Bird Tribunal (trans. from Norwegian by Rosie Hedger; Orenda Books, 2016)
  • Dolores Redondo, The Invisible Guardian (trans. from Spanish by Isabelle Kaufeler, HarperCollins, 2015)
  • Andrea Maria Schenkel, The Murder Farm (trans from German by Anthea Bell; Quercus, 2008).
  • Yrsa Sigurđardóttir, Why Did You Lie? (trans. from Icelandic by Victoria Cribb (Hodder & Stoughton, 2016)
  • Maj Sjöwall (and Per Wahlöö), The Laughing Policeman (trans. from Swedish by Alan Blair; Harper Perennial, 2007
  • Fred Vargas, Have Mercy on us All (trans. from French by David Bellos, Vintage, 2004)

If you have any favourites you’d like to add to this list, just let me know!